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This week quite a remarkable event took place in Melbourne. Over three hundred people gathered for an opening at a commercial art gallery – and over half of them were artists. On display were 189 artworks – spread across the two spaces on either side of Derby Street in Collingwood – at exactly the same spot that the Australian Galleries opened their doors seventy years ago. There were a number of historic works, by artists who are no longer with us, including Brett Whiteley, Arthur Boyd, Fred Williams, Jeffrey Smart, Sidney Nolan, Roger Kemp, William Robinson, Inge King and George Baldessin, all of whom had exhibited with this gallery in this building over the years. Then there is a galaxy of major contemporary artists who include John Wolseley, Tim Storrier, Mary Tonkin, Sarah Tomasetti, Thornton Walker, Peter Churcher … too many to mention. The Australian Galleries is an institution that has played a pivotal role in Australian art history over the past seventy years. It launched the careers of numerous artists, including John Perceval, and kept others economically afloat, for example Arthur Boyd, a point well made by Christopher Heathcote in his opening address at the gallery. The gallery also played a pivotal role in guiding significant events in Australian art. Last week, I attended the launch of the Arthur Boyd tapestries at the NGA in Canberra – a rather splendid event. It could be noted that the Arthur Boyd pastel drawings, on which the tapestries were based, were first exhibited at the Australian Galleries in 1965. Even more specifically, the large-scale transparencies from which the tapestries were actually woven in Portugal were made at the gallery and the first job that the young Stuart Purves had in his parent’s gallery in 1966 was packaging the transparencies and sending them to Arthur Boyd. Today, sixty years later, Stuart who turns eighty this year, is still managing this gallery as well as the Australian Galleries in Sydney that have been operating for thirty-five years. Running the shop across several venues over many decades is an impossibly difficult act and the fact that the gallery survives, thrives and continues to play a significant role in contemporary Australian art attests to the fact that it must be doing something right. The Australian Galleries has changed many people’s lives. I am one of them. When I was a very small child, my father took me to see an exhibition at the Australian Galleries. For me it was a life changing experience and I remember telling my father that I had decided what I wanted to do with my life. I told him that “I want to be an artist just like Mr Brack and show my work at the Australian Galleries.” I never became an artist like Mr Brack and I never exhibited my woeful efforts at this gallery, but it did have a significant impact on my life. The way we look at, consume and acquire art is changing. To some, the commercial art gallery is something of an anachronism, however, it is a past in which I lived and one in which I happen to believe in. I still participate in a regular gallery crawl and I still publish newspaper art criticism on a regular basis. Nevertheless, I notice that the number of visitors I encounter at commercial art galleries is dwindling, in contrast to the swarms at art fairs and at the public art galleries. I don’t have a silver bullet solution and I am uncertain on how the pendulum will swing, but I hope that an institution like the Australian Galleries will continue to thrive and reinvent itself for the future for many decades to come. We need it. Australian Galleries Celebrates 70 years 1956-2026 Group Exhibition 23 June -11 July 2026 35 Derby Street, Collingwood, open daily 10am-6pm
2 Comments
Timothy R Moorhead
25/6/2026 16:48:14
such grand history impacted many inspired many
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25/6/2026 18:44:51
A splendid exhibition and celebration of the seventh decade of operation. Congratulations to Australian Galleries, Start Purves and to the staff of both Melbourne and Sydney.
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GRISHIN'S ART BLOG
Sasha Grishin AM, FAHA is the author of more than 25 books on art, including Australian Art: A History, and has served as the art critic for The Canberra Times for forty years. He is an Emeritus Professor at the Australian National University, Canberra; Guest Curator at the National Gallery of Victoria, Melbourne; and Honorary Principal Fellow, Faculty of Arts, at the University of Melbourne. Archives
June 2026
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