ART CRITICISM, ESSAYS AND ART POLEMICS (selected)
“From Ovid to COVID”, Imprint (The Quarterly Journal of the Print Council of Australia), winter 2020, vol 55, number 2 pp.18-20
“Helen Maudsley: Our knowing and not knowing”, ADFAS Artlife, vol 27, 2018, pp.14-17
“Leonard Brown: Experience untaught me the world”, in Art Almanac June 2017 pp.38-40
"Leonard William French 1928-2017”, Art Monthly Australia, issue 296 (March 2017) p.64
“Silvia Tuccimei and the crafting of space” catalogue essay, Silvia Tuccimei: Flower Power, Sydney, Instituto Italiano di Cultura di Sydney, 2017, pp.9-10
“Profiles in print: Jazmina Cininas” Craft Arts International, No 96, 2016, pp. 31-35, (ISSN 1038-846X)
“For your enjoyment: Australian Galleries turns 60”, Art Monthly Australia, issue 295, 2016/17, pp.24-25 (ISSN 1033-4025)
“I quadri metafisici di Giuseppe Modica” catalogue essay in Giuseppe Modica: Atelier di luci e di memoria, Istituto Italiano di Cultura di Sydney, 2016, pp.12-14
“John Wolseley and his collaborations with nature”, EarthSong: Ecology, Spirituality and Education, vol.3, issue 3 (Spring 2016), pp. 8-11 (ISBN1449 8367) also at http://journals.earthsong.org.au/books/pgjd/#p=9
“Wendy Stavrianos: Silent rooms and portals to uncertain shores”, catalogue essay Wendy Stavrianos: Silent rooms and portals to uncertain shores, Melbourne, Langford 120, 2016, pp.7-9 (ISBN 978-0-646-95585-8)
“Sculpture in the bush: Surveying ‘The McClelland’”, Art Monthly Australia, number 277 (March 2015), pp.52-53 (ISSN 1033-4025)
“Profiles in print: Jo Lankester”, Craft Arts International, No 93, 2015, pp.56-59, (ISSN 1038-846X)
“Profiles in print: Glenda Orr”, Craft Arts International, No 94, 2015, pp.33-37, (ISSN 1038-846X)
“Alex Asch and the art of bringing structure to a world of chaos”, monographic essay, in Alex Asch, Canberra, Beaver Galleries, 2015, pp.2-13
“Milk and honey: Recent works by Martin Coyte”, catalogue essay, Orange Regional Gallery, Orange 2015
“Jan Senbergs: Heat – fire – smoke”, Meanjin Quarterly, vol 74, no 2 (2015), pp.32-33 (ISSN 0025-6293)
“The unconventional artist: Marina Strocchi”, catalogue essay Marina Strocchi: A survey 1992-2014, Alice Springs 2015, pp.5-10 (ISBN 978-0-646-93372-6)
“Profiles in print: Deborah Klein”, Craft Arts International, No 90, 2014, pp.50-55, (ISSN 1038-846X)
“Profiles in print: Roslyn Atkins”, Craft Arts International, No 91, 2014, pp.50-55, (ISSN 1038-846X)
“Profiles in print: Jennifer Marshall”, Craft Arts International, No 92, 2014, pp.40-44, (ISSN 1038-846X)
“Artists books and open books”, catalogue essay in Open books: Artists and the Chinese folding-books, Sanshang Contemporary Art Museum, 2014, pp.40-41 (pp.24-25 Chinese translation)
Mysterious realities: The art of Peter Boggs, catalogue essay, Orange regional Gallery, 2014, 42pp. (ISBN 978-0-9587126-3-7)
John Olsen: Myself and other animals, catalogue essay, Melbourne, Metro Gallery, 2014
“Australia, Royal Academy of Art”, Art Monthly Australia, issue 266, 2013/14, p.40-43 (ISSN 1033-4025)
Charles Nodrum (ed.), Twenty five years of the Wilbow Collection of Australian Art 1988-2013, Wilbow, Melbourne, 2013, pp. 31-33, 105-107 (ISBN 978-0-646-59562-7)
“The legacy of Chandler Coventry and the 30th anniversary of the New England Regional Art Museum”, Art Monthly Australia, issue 261, 2013, p. 24-27 (ISSN 1033-4025)
“Profiles in Print: Euan Heng”, Craft Arts International, No 88, 2013, pp.51-55 (ISSN 1038-846X)
“The 7th Asia Pacific Triennial”, Craft Arts International, No 88, 2013, pp.85-87 (ISSN 1038-846X)
“APT Adulthood”, Art Monthly Australia, issue 258, 2013, p. 13 (ISSN 1033-4025)
“Profiles in Print: Bruce Latimer”, Craft Arts International, No 87, 2013, pp.56-60 (ISSN 1038-846X)
“Francis Bacon: Five decades”, Australian Art Review, issue 37 (2013), pp.40-42 (ISSN 1447-8587)
“Togart Contemporary Art Award”, Craft Arts International, No 87, 2013, pp.108-09 (ISSN 1038-846X)
“Jessie Traill”, Australian Art Review, issue 38 (2013), p.72-73 (ISSN 1447-8587)
“Jon Cattapan’s local truths”, Australian Art Collector, 60, 2012, pp.136-45 (ISSN1238-9586)
“Modern women: Daughters and lovers”, Art Monthly Australia, issue 250, 2012, pp. 52-54 (ISSN 1033-4025)
“Profiles in Print: Rona Green”, Craft Arts International, No 84, 2012, pp.56-59 (ISSN 1038-846X)
“Profiles in Print: George Matoulas”, Craft Arts International, No 85, 2012, pp.39-42 (ISSN 1038-846X)
“Profiles in Print: Deborah Williams”, Craft Arts International, No 86, 2012, pp.47-50 (ISSN 1038-846X)
“Sculpture by the Sea, Bondi”, Craft Arts International, No 84, 2012, pp.82-84 (ISSN 1038-846X)
“Impact 7”, Print Quarterly (London), vol xxix (2012) 2, pp.220-221
“Religious visions in Canberra”, Australian Art Review, issue 34 (2012), pp.52-56 (ISSN 1447-8587)
“Finding water, finding life: Helicopter Tjungurrayi”, Australian Art Collector, 61, 2012, pp.130-35 (ISSN1238-9586)
“Spirit in the land”, Art & Australia, vol 50, number 1, 2012, p.152 (ISSN 0004-301X)
“Undisclosed: in reviews”, Art Monthly Australia, issue 252, 2012, pp. 28-29 (ISSN 1033-4025)
“ROAR – 30 years on”, Art Monthly Australia, issue 253, 2012, pp. 46-47 (ISSN 1033-4025)
“NATSIAA: Paddy Stewart, Bugai Whyoulter”, Australian Art Collector, 62, 2012, pp.111, 114-5 (ISSN1238-9586)
Margaret Hannah Olley 1923-2011, in 2012 Annual Report, Australian Academy of the Humanities, pp.31-32
“Raafat Ishak: Between Mecca and Malevich”, Australian Art Collector, 58, 2011, pp.144-47 (ISSN1238-9586)
“David Larwill 1956-2011”, Art and Australia, vol 49/2, 2011, p.333 (ISSN 0004-301 X)
“Bound for glory: A cameo exhibition in the Library’s Cowen Gallery asks whether artists’ books have a place in the 21st century”, State Library of Victoria News, No 48, 2011/2-12, pp.12-13 (ISSN 1328-9411)
“Erwin Fabian: recent sculpture and earlier monotypes”, catalogue essay, Australian Galleries, Melbourne, 2011
“Profiles in Print: Susan Baran”, Craft Arts International, No 81, 2011, pp.62-65 (ISSN 1038-846X)
“Metaphysical realities: Lawrence Daws”, Australian Art Review, No 25 (2010/2011), pp.46-48 (ISSN 1447-8587)
“Memories enshrined”, Australian Art Review, No 25 (2010/2011), p.80 (ISSN 1447-8587)
“William Breen: Painter of light”, Australian Art Review, No 26 (2011), pp.66-68 (ISSN 1447-8587)
“Ballets Russes”, Australian Art Review, No 26 (2011), p. 77 (ISSN 1447-8587)
“A Celtic legacy”, Australian Art Review, No 27 (2011), p. 78 (ISSN 1447-8587)
“Hot off the press: Sydney Printmakers 50th anniversary exhibition”, Imprint (Print Council of Australia), vol 46/2 (2011), pp.26-27 (ISSN 03133907)
“Peter Vandermark”, Australian Art Review, No 29 (2011), pp.30-32 (ISSN 1447-8587)
“Out of Australia: Prints and drawings from Sidney Nolan to Rover Thomas at the British Museum”, Imprint (Print Council of Australia), vol 46/3 (2011), pp.14-16 (ISSN 03133907)
“Art, love and life: Ethel Carrick and E. Phillips Fox”, Art Monthly Australia, issue 242, August 2011, pp.80-81
“Profiles in Print: Angela Cavalieri”, Craft Arts International, No 82, 2011, pp.74-78 (ISSN 1038-846X)
“A Celtic legacy”, Australian Art Review, No 27 (2011), p.78 (ISSN 1447-8587)
“A Melbourne master: Fred Williams”, Australian Art Review, No 28 (2011), p.73 (ISSN 1447-8587)
“The new Indigenous galleries at the National Gallery of Australia”, Australian Art Review, No 28 (2011), pp.30-33 (ISSN 1447-8587)
“The artist, the print and the matrix”, Bruno Leti: The Matrix, Macmillan and the State Library of Victoria, 2010, pp.21-23 (ISBN 978-1-921394-30-0)
“APT6 – Has the APT lost its way?”, Art Monthly, issue 227, March 2010, pp.5-7 (ISSN 1033-4025)
“John Wolseley’s wild heart”, Australian Art Collector, 53, 2010, pp.198-205 (ISSN1238-9586)
“Profiles in Print: Michael Kempson”, Craft Arts International, No 79, 2010, pp.68-72 (ISSN 1038-846X)
Tribute, “Fred Cress: 1938-2009”, Art and Australia, vol 47/3, 2010, p.418 (ISSN 0004-301 X)
Kathleen Kngale (catalogue essay), Melbourne, Metro Gallery, 2010, pp.3-5 (ISBN 978-1-921-618-123)
“Profiles in Print: Rew Hanks”, Craft Arts International, No 78, 2010, pp.49-53 (ISSN 1038-846X)
“Maintaining the rage: Chips Mackinolty”, Australian Art Collector, 54, 2010, pp.156-57 (ISSN1238-9586)
“The subversive zines”, Art Monthly Australia, issue 234, October 2010, pp.8-9 (ISSN 1033-4025)
“Profiles in Print: Alison Alder”, Craft Arts International, No 80, 2010, pp.64-67 (ISSN 1038-846X)
“Metaphysical realities”, Australian Art Review, No 25 (2010/2011), pp.46-48 (ISSN 1447-8587)
“The Togart test”, Art Monthly, issue 235, November 2010, pp.31-33 (ISSN 1033-4025)
Exhibition review “Ron McBurnie: Metal as anything” Imprint, volume 44, number 3 (2009), p.9 (ISSN 0313 3907)
“Open Air”, Australian Art Review, issue 17, 2008/09, pp.78 (ISSN 1447-8587)
“Grahame King 1915-2008”, Art Monthly Australia, issue 216, Dec 2008-Feb 2009, pp.40-41 (ISSN 1033-4025)
“Justin Tjungurrayi Corby: New paintings from Ikuntji”, Metro 5, Melbourne 2008, pp.4-5 (catalogue essay)
“Profiles in print: Michael Kane Taylor”, Craft Arts International, No 72 (2008), pp.77-9 (ISSN 1038-846X)
“Culture warriors: National Indigenous Art Triennial”, Craft Arts International, No 72 (2008), pp.85-87 (ISSN 1038-846X)
“Ian Fairweather, Rosalie Gascoigne, Helen Maudsley”, artists’ profiles, Australian Art Collector, issue 43, 2008, pp.133, 136,161
“Marie Hagerty: The real thing”, Australian Art Collector, issue 43, 2008, p.279
“Printmaker: Jazmina Cininas”, Australian Art Collector, issue 43, 2008, p.320
“Justin Tjungurrayi Corby”, Australian Art Collector, No 44 (2008) pp.154-55
“Printmaker: Christina Cordero”, Australian Art Collector, No 44 (2008) p.320
“Andrew Townsend”, Australian Art Collector, issue 45, 2008, pp.172-73
“Printmaker: Arone Meeks”, Australian Art Collector, issue 45, 2008, p.320
“In a different light”, Printmaking Today (London), Spring 2008, pp.10-11 (ISBN 0960 9253)
“Billy Pareroultja Tjungarrayi”, Art Monthly Australia, issue 210, June 2008, p.48
“David Blackburn – Swimming against the tide” (catalogue essay), David Blackburn : New Work 2006-2008, Hart Gallery, London 2008 (ISBN 978 1 902721 24 8)
“Richard Larter in retrospect”, Australian Art Review, issue 16, 2008, pp.59-61 (ISSN 1447-8587)
“Ron Radford: Steering the National Gallery’s past, present and future”, Art and Australia, vol 45/4, 2008, pp.542-45 (ISSN 0004-301 X)
“Profiles in print: Marian Crawford", Craft Arts International, issue 73, 2008, pp.55-57 (ISSN 1038-846X)
“Turner to Monet: The triumph of landscape”, Craft Arts International, issue 73, 2008, pp.98-99 (ISSN 1038-846X)
“Judith Shead 1949-2007”, Art and Australia, vol 46/1, 2008, p.60 (ISSN 0004-301 X)
“The Packer Prince: Narrative linocuts of Rew Hanks”, Imprint (Journal of the Print Council of Australia), vol 43, number 3 (2008), pp.1-2 (ISSB 0313-3907)
“Ikuntji Art Centre: Haasts Bluff”, Australian Art Collector, No 46 (2008) pp.204-05
“Profiles in print: Dianne Longley”, Craft Arts International, No 74 (2008), pp.67-70 (ISSN 1038-846X)
“Art Deco 1910-1939, National Gallery of Victoria”, Craft Arts International, No 74 (2008), pp.82-84 (ISSN 1038-846X)
“Originals, fakes and copies – and the culture of silence in Australian art”, Australian Art Review, issue 17, 2008/09, pp.70-71 (ISSN 1447-8587)
“A contemporary face”, Art and Australia, vol 46/2, 2008, pp.206-07 (ISSN 0004-301 X)
“National Gallery of Australia: A view from outside the academy”, Independent voices: 2006 ISAA Annual Conference Proceedings, Canberra 2007, pp.92-96
“Judit Shead and Garry Shead: A creative collaboration”, catalogue essay in Judit Shead and Garry Shead, Sydney, Australian Galleries, 2007, pp. 18-35
“Desert air: The landscapes of Greg Weight and Carol Ruff” in Greg Weight and Carol Weight Desert Air, Australian Galleries, Sydney 2007, catalogue essay, np
“The story of Australian printmaking 1801-2005”, [review] Imprint: Quarterly Journal of the Print Council of Australia, vol 42/2 (2007) pp., 20-21 [ISSB 0313-3907]
“Profiles in print: Bruno Leti”, Craft Arts International, No 69 (2007), pp.68-71
Artists’ profiles: Roger Kemp, Dennis Nona, Fred Williams, Australian Art Collector, No 39 (2007) pp. 120, 162-63, 186
“Steve Woodbury: Dying from birth”, catalogue essay, Steve Woodbury: Dying from birth, Maitland Regional Gallery, 2007
“Mary Tonkin and the tyranny of place”, catalogue essay, Australian Galleries, Melbourne 2007
“Printmaker: Monique Auricchio”, Australian Art Collector, No 39 (2007) p. 352
George Foxhill: Retrospective, Australian Art Collector, No 39 (2007) p.297
Kim Westcott exhibition, Australian Art Collector, No 39 (2007) p.302
“Multiplicity – Collecting Australian prints”, Australian Art Review, No 13 (2007), pp.52-55
“Drawing with steel”, Australian Art Review, No 13 (2007), p.86
“John Coburn: Obituary”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 1 (2007), p.4 (ISSB 0313 3907)
“Robert Grieve: Obituary”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 1 (2007), p.5 (ISSB 0313 3907)
“Baldessin-Lowenstein Works on paper fellowship: Australia/Italy exchange”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 1 (2007), pp.6-7 (ISSB 0313 3907)
“Udo Sellbach”, Art and Australia, vol 44 No 3 (2007), p.358 (ISSN 0004 301 X)
“The new McCulloch’s Encyclopaedia of Australian art” (book review), Art and Australia, vol 44 No 3 (2007), p.456 (ISSN 0004 301 X)
“Garry Shead’s gentle lyricism”, Australian Art Collector, No 40 (2007) pp.154-163
“Undiscovered: Stephen Harrison”, Australian Art Collector, No 40 (2007) pp.170-71
“Wendy Teakel: Parched”, Australian Art Collector, No 40 (2007) p.303
“Printmaker: Dennis Nona”, Australian Art Collector, No 40 (2007) p.352
“Egyptian antiquities from the Louvre”, Craft Arts International, No 69 (2007), pp.92-93
“Collecting Australian artists books”, Australian Art Review, No 14 (2007), pp.69-71
“More than face value: Brack’s portraits”, Australian Art Review, No 14 (2007), p.86
“Printmaker: Jörg Schmeisser”, Australian Art Collector, No 41 (2007) p.320
“Danie Mellor”, Australian Art Collector, No 41 (2007) pp.160-61
“Robert Boynes: Street stories”, Australian Art Collector, No 41 (2007) p.273
“Profiles in print: Katie Clemson”, Craft Arts International, No 70 (2007), pp.66-69
“Asia Pacific Triennial of Contemporary Art 5”, Craft Arts International, No 70 (2007), pp.85-87
Artists’ profiles in Sonia Payes (ed.), Portraits of Australian artists, Melbourne, Macmillan 2007, pp., 308, 381 (ISBN 978 1 876832 28 5)
“John Brack: The staircase”, Deutscher-Menzies Australian and International Art, catalogue essay, No 0039, September 2007, pp.60-63
“European sensibilities: George Baldessin and his circle”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 3 (2007), pp.12-13 (ISSB 0313 3907)
“Printmaker: Graham Fransella”, Australian Art Collector, No 42 (2007) p.320
“Thornton Walker’s mood painting”, Australian Art Collector, No 42 (2007) pp.166-175
“Peter Boggs: New paintings and works on paper”, Australian Art Collector, No 42 (2007) p.281
“Profiles in print: Ron McBurnie”, Craft Arts International, No 71 (2007), pp.83-6
“The story of Australian printmaking 1801-2005”, Craft Arts International, No 71 (2007), pp.87-90
“John Brack: Double nude I” and “John Brack: Beginning”, Deutscher-Menzies Australian and International Art, catalogue essays, No 0040, December 2007, pp.64-67; 76-79
“Originals, fakes and copies in the age of digital reproduction”, Australian Art Review, No 15 (2007/08), pp.60-63
“Solander Gallery”, Australian Art Review, No 15 (2007/08), p.28
“Robert Rauschenberg – 20th century icon”, Australian Art Review, No 15 (2007/08), p.86
“Reveries: Photography and mortality” (exhibition review), Art and Australia, vol 45 No 2 (2007), p.293 (ISSN 0004 301 X)
“Brenda Niall: Judy Cassab”, book review, Times Literary Supplement, No 5375, April 7, 2006, p.33
Justin O’Brien: A survey exhibition 1938-1995, Brisbane, Philip Bacon Galleries, 2006 48pp [ISBN 0-9587520-9-5]
“Kaye Green and her meditations in art”, catalogue essay, Kaye L. Green: Seeing the same moon, Carnegie Gallery, Hobart 2006, pp.19-23; Japanese translation pp.24-29 [ISBN 0-646-46556-2]
“The gentle art of collaboration: Ken Tyler”, Art and Australia, vol 44 No 1 (2006), pp.104-109 (ISSN 0004 301 X)
“The digital divide in Australian Printmaking”, Imprint, vol 41/No 2 (2006), pp.23-27 (ISSB 0313 3907)
“Profiles in print: Milan Milojevic”, Craft Arts International, No 66, 2006, pp.53-55
“Margaret Preston” exhibition review, Craft Arts International, No 66, 2006, pp.81-83
“Tommaso Durante: artists books and meditations on black”, Artists’ Books Review, (USA) vol number 2 No 22, winter 2006, pp1-3 (ISSN 1557 8496)
“Yvonne Boag”, exhibition review, Australian Art Collector, No 35 (2006) p. 249
Artists’ profiles: Pat Brassington, Bruno Leti, Jan Senbergs, Garry Shead, Jeffrey Smart, Sally Smart, Australian Art Collector, No 35 (2006) pp. 95, 111, 124, 125, 128, 129
“Printmaker: Susanna Castleden”, Australian Art Collector, No 35 (2006) p. 280
“Awash with colour: Helen Frankenthaler”, Australian Art Review, issue 9, 2006, p. 87
“Ken Tyler at the National Gallery of Australia”, Artonview, issue 45 (2006), p. 56 [ISBN 1323-4552]
“What should Australian art historians teach?”, Artlink: Contemporary Art Quarterly, vol 26/1 (2006) pp.64-65
“The Ken Tyler phenomenon”, Imprint: Quarterly Journal of the Print Council of Australia, vol 41/1 (2006) pp., 12-15 [ISSB 0313-3907]
Susan Enriquez: Vivace, catalogue essay, University of Newcastle, 2006, pp4-5 [ISBN 0-9758461-0-8]
“Cecile Galiazzo”, Australian Art Collector, No 36 (2006) p. 122
“Constable: Impressions of land, sea and sky”, Australian Art Collector, No 36 (2006) p. 231
“Printmaker: Raymond Arnold”, Australian Art Collector, No 36 (2006) p. 280
“Ian Armstrong 1923-2005”, Art and Australia, vol 43 No 4 (2006), p526 (ISSN 0004 301 X)
“Impressions on paper”, Australian Art Review, issue 11, 2006, p. 91
“Printmaker: Rona Green”, Australian Art Collector, No 37 (2006) p. 352
“Michael Taylor: Swing collages”, Australian Art Collector, No 37 (2006) p.291
“Fred Cress figured it out”, Australian Art Collector, No 38 (2006) pp174-183.
“Glen Clarke and Dean Bowen”, Australian Art Collector, No 38 (2006) p.297
“Printmaker: Geraldine Berkemeier”, Australian Art Collector, No 38 (2006) p.352
“Profiles in print: Hertha Kluge-Pott”, Craft Arts International, No 68, 2006, pp.62-65
“David Larwill: Still raw after all those years”, Australian Art Review, issue 12, 2006, p. 95
“Margaret Preston”, exhibition review, Craft Arts International, No 66, 2006, pp.81-83
“The hands of Farideh Zariv”, catalogue essay in Farideh Zariv: Hand of Fatima, Canberra Museum and Gallery, Canberra 2005, p5
“Southern Highlands Printmakers”, catalogue essay, Campbelltown Arts Centre, 21 January – 27 February 2005, 6pp.
“The apotheosis of Ern Malley”, catalogue essay, Hazelhurst Regional Gallery and Arts Centre, Sydney 2004/05, 12pp
“Profiles in print: Karen Casey”, Craft arts International, No 63, 2005, pp.68-70
“Gone bush: Southern Highlands Printmakers”, Australian Art Review, No 7, Mar – Jun 2005, p. 92
“Alex Asch”, Australian Art Collector, No 32 (2005) p 98
“Printmaker: Meg Buchanan”, Australian Art Collector, No 32 (2005), p.256
“Jo D’Hagé: Trousseau”, catalogue essay, Fish Lane Gallery, Brisbane, 2005
“Margaret Preston: Australian printmaker”, Imprint [Print Council of Australia], vol 40, number 2, 2005, p. 16 [ISSB 0313 3907]
“Murray Walker: Light and dark in the Glenlogie suite”, catalogue essay, Australian Print Workshop, Melbourne 2005
“The legacy of Mad Maggie”, Australian Art Review, issue 8, 2005, pp. 80-81
“Fertile Obsessions: Fiona Hall”, Australian Art Review, issue 8, 2005, p. 13
Paul Storey: Mystical vision, catalogue essay, Australian Galleries, Melbourne 2005
“Mariana del Castillo”, Australian Art Collector, No 33 (2005), p. 118
“Printmaker: Bruno Leti”, Australian Art Collector, No 33 (2005), p. 280
“Bill Viola: The Passions”, Australian Art Collector, No 34 (2005) p.217
“Printmaker: Anne Lord”, Australian Art Collector, No 34 (2005) p. 145
“Sarah Woods”, Australian Art Collector, No 34 (2005) p. 123
“Jenny Sages: The quiet achiever”, Australian Art Review, vol 9, 2005, pp. 52-54
“John Wolseley: Sacred ecology”, Australian Art Review, vol 9, 2005, pp. 55-57
“Australia Made”, Australian Art Review, no 5 (2004), pp. 78-79
“Jackie Gorring”, Australian Art Collector, no 29 (2004), p. 106
“The ubiquitous print”, catalogue essay in Convergence: Views of contemporary Australian print, Cowra Art Gallery, April-June 2004
“John Forrester Clack and the vision of the Passion”, catalogue essay, Forrester Clack: The Spirit, Michael Nagy Fine Art, Sydney 2004
“Sean Scully in print”, Imprint: The journal of the Print Council of Australia, vol 39 no 3 (2004) pp. 16-17, ISSB 0313-3907
“Mandy Martin and Trisha Carroll: Absence and Presence”, Australian Art Collector, no 30 (2004), p. 165
“Po-Mo mafia”, Australian Art Review, no 6 (2004), p. 22
“Yolngu genius: No ordinary place: the art of David Malangi”, Australian Art Review, no 6 (2004), pp. 84-85
“Not lost in translation”, Australian Art Review, no 4 (2004), pp. 97-98
“The rise and rise of the National Gallery of Australia”, Art and Australia, vol 41/2 (2003) pp. 256-71
“The painter, the potter and the Muse”, Pottery in Australia: The journal of Australian ceramics, vol 42, number 3 (2003), pp. 18-22
“Australian art at the National Gallery of Australia”, The World of Art and Antiques, Feb-July 2003, pp. 11-16
“Interview with Petr Herel”, Grapheion: European review of modern prints, book and paper art, vol 15-16 3/4 2000, pp. 140-41, (ISSN 1211-6904)
“John Coburn and his vision of the Australian landscape”, catalogue essay, Australian Galleries, Melbourne np. and no ISBN
“Garry Shead: Artist and the Muse”, catalogue essay in Garry Shead: Artist and the Muse, Australian Galleries, Melbourne 2000 6 pp. (no ISBN)
“Mount Sinai for pilgrims”, Artonview, vol 21 Autumn 2000, pp14-17 (ISSN 13234552)
S.T Gill ‘Miscellaneous sketches’ entry, Leonard Joel: Australian and European Paintings, April, Melbourne 2000, pp. 28-31 (no ISBN)
“The enigma of Balthus”, Artonview, No 22 (Winter 2000), pp. 50-51 (ISBN 1323-4552)
“Garry Shead: Amazed and amused”, Australian Art Collector, No 14, Oct – Dec 2000, pp. 78 – 82 (ISSN 1328-9586)
Introductory essay, The nudes of John Brack, Rex Irwin, Sydney 1999, np
“Death of John Brack”, Art Monthly, March 1999, No 117, pp. 31-32 (ISSN 1033 4025)
“Canberra arts scene”, Art and Australia, vol 36/No 3, 1999, p 436 (ISSN 0004-301 X)
"Monet's Waterlilies: A reflection", Artonview, No 15 (1998) pp. 4-7 (ISSN 1323 4552)
"Dianne Fogwell: A printmaker on the boundaries of art", Imprint, vol 33, No 2, 1998, pp. 26-27 (ISSB 0313-3907)
"NGV: Resuscitation or desecration?", Art Monthly No 100 (1997) pp. 33-34 (ISSN 1033 4025)
"Fecund and dark: Peter Pinson: Emanuel Raft", Australian Book Review, No 193, August 1997, pp. 12-13 (ISSN 01 55-2864)
"Tim Moorhead: Vessel icons", catalogue essay, Moorhead Colours, Albury, NSW, np. (ISBN 0-646-31857-8)
"The Voyages of Franz Kempf", catalogue essay, BMG Art, Adelaide 1997 1p (no ISBN)
"Art and its histories", Artonview No 11 (1997) pp. 39-41 (ISSN 1323-4552)
"European visions of the Other", Art Monthly No 96 (1996) pp. 27-28
"Angela Komives: Recent stories", Imprint, vol 31/4 (1996) p 5
"Art and State Patronage", Artonview, vol v (1996) pp. 22-24 National Gallery of Australia
Therese Weber: Destination - Earth and Sky, Canberra School of Art, ANU, Canberra 1996, pp. 11-15 + translation into German, catalogue essay
John Brack: Selected Paintings: 1950s to 1990s, catalogue essay Geelong Art Gallery, 1996, np,
"Three cultures", Art Monthly Australia, issue 81, July 1995, pp26-27
"A Creative collaboration", Modern Painters [London], vol. 7 No 2 1994, pp. 72-74
"Portraits, portraiture and portrait galleries", National Library of Australia News, Nov 1993, pp. 10-13
"Catalyst of forms: Marc Clark", Craft Art International, 1992, No 28, pp. 56-9
"John Brack: The Battle 1981-1983", Art and Australia, vol. 28/4 (1991), pp. 498-99, 560.
"Martin Coyte and Jack Randell", Art Monthly Australia, issue 41, June 1991, p. 20.
"David Blackburn: A master of metamorphosis", Craft Arts International, 12, 1988, pp. 47-50
"Petr Herel: The Art of book illustrating", Craft Arts International, 13, 1988, pp. 50-54
Review: Lyn Rodley, Cave Monasteries of Byzantine Cappadocia, Journal of the Society of Architectural Historians, vol.XLVII:2, 1988, pp. 194-195
"Little windows on our past", Craft Australia, 1988, 2, pp. 104-106
"Fred Williams: A Retrospective", APC (Asian Pacific Culture: Cross-cultural magazine of the Asian Cultural Centre for UNESCO), 41, 1988, p 24
"Canberra Review", Art and Australia, vol.XXV:1, 1987,
pp. 40-41
"The Visual Arts in the ACT"; "Australian National Gallery: A Preview", Australian-Art Review, vol.1, Sydney, 1982, pp. 66-67; 94-95
Australian National Gallery, Genesis II, Canberra, 1978, (catalogue contributions on Giovanni di Paolo and Dubuffet).
"Virgin as a Fountain of Life", Proceedings of the Russian Colloquium, Melbourne, 1977, pp. 100-103
"The 1074-1083 layer of frescoes at the Bachkovo ossuary", paper for the XV International Congress of Byzantine Studies, Athens, 1976, abstract published in the Reports.
"Sovetskij skul'ptor: Vadim Sidur", Epokha, Jan./Feb.1973, pp. 12-13 (text in Russian).
Since 1977 some 2241 short articles, critiques of exhibitions, book reviews, catalogue entries, biographical entries and encyclopaedia entries have been published in:
The Canberra Times, The Age (Melbourne), Sydney Morning Herald, Art and Australia, Art Monthly, Craft-Arts International, Leonardo (Paris), TLS (London), Print Quarterly (London), Parergon, Journal of Architectural Historians (USA), Campus Review (Sydney), Artonview (Canberra), Artlink (Adelaide); Australian Art Collector (Sydney); Art and Antiques (Brisbane), Australian Journal of Art, Asian Pacific Culture (UNESCO/Tokyo), Australian Dictionary of Biography; Australian National Gallery News; National Library of Australia New; The Conversation, Speculum (Harvard University); Modern Painters (London); ANU Reporter and Dictionary of Art (London).
“Helen Maudsley: Our knowing and not knowing”, ADFAS Artlife, vol 27, 2018, pp.14-17
“Leonard Brown: Experience untaught me the world”, in Art Almanac June 2017 pp.38-40
"Leonard William French 1928-2017”, Art Monthly Australia, issue 296 (March 2017) p.64
“Silvia Tuccimei and the crafting of space” catalogue essay, Silvia Tuccimei: Flower Power, Sydney, Instituto Italiano di Cultura di Sydney, 2017, pp.9-10
“Profiles in print: Jazmina Cininas” Craft Arts International, No 96, 2016, pp. 31-35, (ISSN 1038-846X)
“For your enjoyment: Australian Galleries turns 60”, Art Monthly Australia, issue 295, 2016/17, pp.24-25 (ISSN 1033-4025)
“I quadri metafisici di Giuseppe Modica” catalogue essay in Giuseppe Modica: Atelier di luci e di memoria, Istituto Italiano di Cultura di Sydney, 2016, pp.12-14
“John Wolseley and his collaborations with nature”, EarthSong: Ecology, Spirituality and Education, vol.3, issue 3 (Spring 2016), pp. 8-11 (ISBN1449 8367) also at http://journals.earthsong.org.au/books/pgjd/#p=9
“Wendy Stavrianos: Silent rooms and portals to uncertain shores”, catalogue essay Wendy Stavrianos: Silent rooms and portals to uncertain shores, Melbourne, Langford 120, 2016, pp.7-9 (ISBN 978-0-646-95585-8)
“Sculpture in the bush: Surveying ‘The McClelland’”, Art Monthly Australia, number 277 (March 2015), pp.52-53 (ISSN 1033-4025)
“Profiles in print: Jo Lankester”, Craft Arts International, No 93, 2015, pp.56-59, (ISSN 1038-846X)
“Profiles in print: Glenda Orr”, Craft Arts International, No 94, 2015, pp.33-37, (ISSN 1038-846X)
“Alex Asch and the art of bringing structure to a world of chaos”, monographic essay, in Alex Asch, Canberra, Beaver Galleries, 2015, pp.2-13
“Milk and honey: Recent works by Martin Coyte”, catalogue essay, Orange Regional Gallery, Orange 2015
“Jan Senbergs: Heat – fire – smoke”, Meanjin Quarterly, vol 74, no 2 (2015), pp.32-33 (ISSN 0025-6293)
“The unconventional artist: Marina Strocchi”, catalogue essay Marina Strocchi: A survey 1992-2014, Alice Springs 2015, pp.5-10 (ISBN 978-0-646-93372-6)
“Profiles in print: Deborah Klein”, Craft Arts International, No 90, 2014, pp.50-55, (ISSN 1038-846X)
“Profiles in print: Roslyn Atkins”, Craft Arts International, No 91, 2014, pp.50-55, (ISSN 1038-846X)
“Profiles in print: Jennifer Marshall”, Craft Arts International, No 92, 2014, pp.40-44, (ISSN 1038-846X)
“Artists books and open books”, catalogue essay in Open books: Artists and the Chinese folding-books, Sanshang Contemporary Art Museum, 2014, pp.40-41 (pp.24-25 Chinese translation)
Mysterious realities: The art of Peter Boggs, catalogue essay, Orange regional Gallery, 2014, 42pp. (ISBN 978-0-9587126-3-7)
John Olsen: Myself and other animals, catalogue essay, Melbourne, Metro Gallery, 2014
“Australia, Royal Academy of Art”, Art Monthly Australia, issue 266, 2013/14, p.40-43 (ISSN 1033-4025)
Charles Nodrum (ed.), Twenty five years of the Wilbow Collection of Australian Art 1988-2013, Wilbow, Melbourne, 2013, pp. 31-33, 105-107 (ISBN 978-0-646-59562-7)
“The legacy of Chandler Coventry and the 30th anniversary of the New England Regional Art Museum”, Art Monthly Australia, issue 261, 2013, p. 24-27 (ISSN 1033-4025)
“Profiles in Print: Euan Heng”, Craft Arts International, No 88, 2013, pp.51-55 (ISSN 1038-846X)
“The 7th Asia Pacific Triennial”, Craft Arts International, No 88, 2013, pp.85-87 (ISSN 1038-846X)
“APT Adulthood”, Art Monthly Australia, issue 258, 2013, p. 13 (ISSN 1033-4025)
“Profiles in Print: Bruce Latimer”, Craft Arts International, No 87, 2013, pp.56-60 (ISSN 1038-846X)
“Francis Bacon: Five decades”, Australian Art Review, issue 37 (2013), pp.40-42 (ISSN 1447-8587)
“Togart Contemporary Art Award”, Craft Arts International, No 87, 2013, pp.108-09 (ISSN 1038-846X)
“Jessie Traill”, Australian Art Review, issue 38 (2013), p.72-73 (ISSN 1447-8587)
“Jon Cattapan’s local truths”, Australian Art Collector, 60, 2012, pp.136-45 (ISSN1238-9586)
“Modern women: Daughters and lovers”, Art Monthly Australia, issue 250, 2012, pp. 52-54 (ISSN 1033-4025)
“Profiles in Print: Rona Green”, Craft Arts International, No 84, 2012, pp.56-59 (ISSN 1038-846X)
“Profiles in Print: George Matoulas”, Craft Arts International, No 85, 2012, pp.39-42 (ISSN 1038-846X)
“Profiles in Print: Deborah Williams”, Craft Arts International, No 86, 2012, pp.47-50 (ISSN 1038-846X)
“Sculpture by the Sea, Bondi”, Craft Arts International, No 84, 2012, pp.82-84 (ISSN 1038-846X)
“Impact 7”, Print Quarterly (London), vol xxix (2012) 2, pp.220-221
“Religious visions in Canberra”, Australian Art Review, issue 34 (2012), pp.52-56 (ISSN 1447-8587)
“Finding water, finding life: Helicopter Tjungurrayi”, Australian Art Collector, 61, 2012, pp.130-35 (ISSN1238-9586)
“Spirit in the land”, Art & Australia, vol 50, number 1, 2012, p.152 (ISSN 0004-301X)
“Undisclosed: in reviews”, Art Monthly Australia, issue 252, 2012, pp. 28-29 (ISSN 1033-4025)
“ROAR – 30 years on”, Art Monthly Australia, issue 253, 2012, pp. 46-47 (ISSN 1033-4025)
“NATSIAA: Paddy Stewart, Bugai Whyoulter”, Australian Art Collector, 62, 2012, pp.111, 114-5 (ISSN1238-9586)
Margaret Hannah Olley 1923-2011, in 2012 Annual Report, Australian Academy of the Humanities, pp.31-32
“Raafat Ishak: Between Mecca and Malevich”, Australian Art Collector, 58, 2011, pp.144-47 (ISSN1238-9586)
“David Larwill 1956-2011”, Art and Australia, vol 49/2, 2011, p.333 (ISSN 0004-301 X)
“Bound for glory: A cameo exhibition in the Library’s Cowen Gallery asks whether artists’ books have a place in the 21st century”, State Library of Victoria News, No 48, 2011/2-12, pp.12-13 (ISSN 1328-9411)
“Erwin Fabian: recent sculpture and earlier monotypes”, catalogue essay, Australian Galleries, Melbourne, 2011
“Profiles in Print: Susan Baran”, Craft Arts International, No 81, 2011, pp.62-65 (ISSN 1038-846X)
“Metaphysical realities: Lawrence Daws”, Australian Art Review, No 25 (2010/2011), pp.46-48 (ISSN 1447-8587)
“Memories enshrined”, Australian Art Review, No 25 (2010/2011), p.80 (ISSN 1447-8587)
“William Breen: Painter of light”, Australian Art Review, No 26 (2011), pp.66-68 (ISSN 1447-8587)
“Ballets Russes”, Australian Art Review, No 26 (2011), p. 77 (ISSN 1447-8587)
“A Celtic legacy”, Australian Art Review, No 27 (2011), p. 78 (ISSN 1447-8587)
“Hot off the press: Sydney Printmakers 50th anniversary exhibition”, Imprint (Print Council of Australia), vol 46/2 (2011), pp.26-27 (ISSN 03133907)
“Peter Vandermark”, Australian Art Review, No 29 (2011), pp.30-32 (ISSN 1447-8587)
“Out of Australia: Prints and drawings from Sidney Nolan to Rover Thomas at the British Museum”, Imprint (Print Council of Australia), vol 46/3 (2011), pp.14-16 (ISSN 03133907)
“Art, love and life: Ethel Carrick and E. Phillips Fox”, Art Monthly Australia, issue 242, August 2011, pp.80-81
“Profiles in Print: Angela Cavalieri”, Craft Arts International, No 82, 2011, pp.74-78 (ISSN 1038-846X)
“A Celtic legacy”, Australian Art Review, No 27 (2011), p.78 (ISSN 1447-8587)
“A Melbourne master: Fred Williams”, Australian Art Review, No 28 (2011), p.73 (ISSN 1447-8587)
“The new Indigenous galleries at the National Gallery of Australia”, Australian Art Review, No 28 (2011), pp.30-33 (ISSN 1447-8587)
“The artist, the print and the matrix”, Bruno Leti: The Matrix, Macmillan and the State Library of Victoria, 2010, pp.21-23 (ISBN 978-1-921394-30-0)
“APT6 – Has the APT lost its way?”, Art Monthly, issue 227, March 2010, pp.5-7 (ISSN 1033-4025)
“John Wolseley’s wild heart”, Australian Art Collector, 53, 2010, pp.198-205 (ISSN1238-9586)
“Profiles in Print: Michael Kempson”, Craft Arts International, No 79, 2010, pp.68-72 (ISSN 1038-846X)
Tribute, “Fred Cress: 1938-2009”, Art and Australia, vol 47/3, 2010, p.418 (ISSN 0004-301 X)
Kathleen Kngale (catalogue essay), Melbourne, Metro Gallery, 2010, pp.3-5 (ISBN 978-1-921-618-123)
“Profiles in Print: Rew Hanks”, Craft Arts International, No 78, 2010, pp.49-53 (ISSN 1038-846X)
“Maintaining the rage: Chips Mackinolty”, Australian Art Collector, 54, 2010, pp.156-57 (ISSN1238-9586)
“The subversive zines”, Art Monthly Australia, issue 234, October 2010, pp.8-9 (ISSN 1033-4025)
“Profiles in Print: Alison Alder”, Craft Arts International, No 80, 2010, pp.64-67 (ISSN 1038-846X)
“Metaphysical realities”, Australian Art Review, No 25 (2010/2011), pp.46-48 (ISSN 1447-8587)
“The Togart test”, Art Monthly, issue 235, November 2010, pp.31-33 (ISSN 1033-4025)
Exhibition review “Ron McBurnie: Metal as anything” Imprint, volume 44, number 3 (2009), p.9 (ISSN 0313 3907)
“Open Air”, Australian Art Review, issue 17, 2008/09, pp.78 (ISSN 1447-8587)
“Grahame King 1915-2008”, Art Monthly Australia, issue 216, Dec 2008-Feb 2009, pp.40-41 (ISSN 1033-4025)
“Justin Tjungurrayi Corby: New paintings from Ikuntji”, Metro 5, Melbourne 2008, pp.4-5 (catalogue essay)
“Profiles in print: Michael Kane Taylor”, Craft Arts International, No 72 (2008), pp.77-9 (ISSN 1038-846X)
“Culture warriors: National Indigenous Art Triennial”, Craft Arts International, No 72 (2008), pp.85-87 (ISSN 1038-846X)
“Ian Fairweather, Rosalie Gascoigne, Helen Maudsley”, artists’ profiles, Australian Art Collector, issue 43, 2008, pp.133, 136,161
“Marie Hagerty: The real thing”, Australian Art Collector, issue 43, 2008, p.279
“Printmaker: Jazmina Cininas”, Australian Art Collector, issue 43, 2008, p.320
“Justin Tjungurrayi Corby”, Australian Art Collector, No 44 (2008) pp.154-55
“Printmaker: Christina Cordero”, Australian Art Collector, No 44 (2008) p.320
“Andrew Townsend”, Australian Art Collector, issue 45, 2008, pp.172-73
“Printmaker: Arone Meeks”, Australian Art Collector, issue 45, 2008, p.320
“In a different light”, Printmaking Today (London), Spring 2008, pp.10-11 (ISBN 0960 9253)
“Billy Pareroultja Tjungarrayi”, Art Monthly Australia, issue 210, June 2008, p.48
“David Blackburn – Swimming against the tide” (catalogue essay), David Blackburn : New Work 2006-2008, Hart Gallery, London 2008 (ISBN 978 1 902721 24 8)
“Richard Larter in retrospect”, Australian Art Review, issue 16, 2008, pp.59-61 (ISSN 1447-8587)
“Ron Radford: Steering the National Gallery’s past, present and future”, Art and Australia, vol 45/4, 2008, pp.542-45 (ISSN 0004-301 X)
“Profiles in print: Marian Crawford", Craft Arts International, issue 73, 2008, pp.55-57 (ISSN 1038-846X)
“Turner to Monet: The triumph of landscape”, Craft Arts International, issue 73, 2008, pp.98-99 (ISSN 1038-846X)
“Judith Shead 1949-2007”, Art and Australia, vol 46/1, 2008, p.60 (ISSN 0004-301 X)
“The Packer Prince: Narrative linocuts of Rew Hanks”, Imprint (Journal of the Print Council of Australia), vol 43, number 3 (2008), pp.1-2 (ISSB 0313-3907)
“Ikuntji Art Centre: Haasts Bluff”, Australian Art Collector, No 46 (2008) pp.204-05
“Profiles in print: Dianne Longley”, Craft Arts International, No 74 (2008), pp.67-70 (ISSN 1038-846X)
“Art Deco 1910-1939, National Gallery of Victoria”, Craft Arts International, No 74 (2008), pp.82-84 (ISSN 1038-846X)
“Originals, fakes and copies – and the culture of silence in Australian art”, Australian Art Review, issue 17, 2008/09, pp.70-71 (ISSN 1447-8587)
“A contemporary face”, Art and Australia, vol 46/2, 2008, pp.206-07 (ISSN 0004-301 X)
“National Gallery of Australia: A view from outside the academy”, Independent voices: 2006 ISAA Annual Conference Proceedings, Canberra 2007, pp.92-96
“Judit Shead and Garry Shead: A creative collaboration”, catalogue essay in Judit Shead and Garry Shead, Sydney, Australian Galleries, 2007, pp. 18-35
“Desert air: The landscapes of Greg Weight and Carol Ruff” in Greg Weight and Carol Weight Desert Air, Australian Galleries, Sydney 2007, catalogue essay, np
“The story of Australian printmaking 1801-2005”, [review] Imprint: Quarterly Journal of the Print Council of Australia, vol 42/2 (2007) pp., 20-21 [ISSB 0313-3907]
“Profiles in print: Bruno Leti”, Craft Arts International, No 69 (2007), pp.68-71
Artists’ profiles: Roger Kemp, Dennis Nona, Fred Williams, Australian Art Collector, No 39 (2007) pp. 120, 162-63, 186
“Steve Woodbury: Dying from birth”, catalogue essay, Steve Woodbury: Dying from birth, Maitland Regional Gallery, 2007
“Mary Tonkin and the tyranny of place”, catalogue essay, Australian Galleries, Melbourne 2007
“Printmaker: Monique Auricchio”, Australian Art Collector, No 39 (2007) p. 352
George Foxhill: Retrospective, Australian Art Collector, No 39 (2007) p.297
Kim Westcott exhibition, Australian Art Collector, No 39 (2007) p.302
“Multiplicity – Collecting Australian prints”, Australian Art Review, No 13 (2007), pp.52-55
“Drawing with steel”, Australian Art Review, No 13 (2007), p.86
“John Coburn: Obituary”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 1 (2007), p.4 (ISSB 0313 3907)
“Robert Grieve: Obituary”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 1 (2007), p.5 (ISSB 0313 3907)
“Baldessin-Lowenstein Works on paper fellowship: Australia/Italy exchange”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 1 (2007), pp.6-7 (ISSB 0313 3907)
“Udo Sellbach”, Art and Australia, vol 44 No 3 (2007), p.358 (ISSN 0004 301 X)
“The new McCulloch’s Encyclopaedia of Australian art” (book review), Art and Australia, vol 44 No 3 (2007), p.456 (ISSN 0004 301 X)
“Garry Shead’s gentle lyricism”, Australian Art Collector, No 40 (2007) pp.154-163
“Undiscovered: Stephen Harrison”, Australian Art Collector, No 40 (2007) pp.170-71
“Wendy Teakel: Parched”, Australian Art Collector, No 40 (2007) p.303
“Printmaker: Dennis Nona”, Australian Art Collector, No 40 (2007) p.352
“Egyptian antiquities from the Louvre”, Craft Arts International, No 69 (2007), pp.92-93
“Collecting Australian artists books”, Australian Art Review, No 14 (2007), pp.69-71
“More than face value: Brack’s portraits”, Australian Art Review, No 14 (2007), p.86
“Printmaker: Jörg Schmeisser”, Australian Art Collector, No 41 (2007) p.320
“Danie Mellor”, Australian Art Collector, No 41 (2007) pp.160-61
“Robert Boynes: Street stories”, Australian Art Collector, No 41 (2007) p.273
“Profiles in print: Katie Clemson”, Craft Arts International, No 70 (2007), pp.66-69
“Asia Pacific Triennial of Contemporary Art 5”, Craft Arts International, No 70 (2007), pp.85-87
Artists’ profiles in Sonia Payes (ed.), Portraits of Australian artists, Melbourne, Macmillan 2007, pp., 308, 381 (ISBN 978 1 876832 28 5)
“John Brack: The staircase”, Deutscher-Menzies Australian and International Art, catalogue essay, No 0039, September 2007, pp.60-63
“European sensibilities: George Baldessin and his circle”, Imprint, The quarterly journal of the Print Council of Australia, vol 42/No 3 (2007), pp.12-13 (ISSB 0313 3907)
“Printmaker: Graham Fransella”, Australian Art Collector, No 42 (2007) p.320
“Thornton Walker’s mood painting”, Australian Art Collector, No 42 (2007) pp.166-175
“Peter Boggs: New paintings and works on paper”, Australian Art Collector, No 42 (2007) p.281
“Profiles in print: Ron McBurnie”, Craft Arts International, No 71 (2007), pp.83-6
“The story of Australian printmaking 1801-2005”, Craft Arts International, No 71 (2007), pp.87-90
“John Brack: Double nude I” and “John Brack: Beginning”, Deutscher-Menzies Australian and International Art, catalogue essays, No 0040, December 2007, pp.64-67; 76-79
“Originals, fakes and copies in the age of digital reproduction”, Australian Art Review, No 15 (2007/08), pp.60-63
“Solander Gallery”, Australian Art Review, No 15 (2007/08), p.28
“Robert Rauschenberg – 20th century icon”, Australian Art Review, No 15 (2007/08), p.86
“Reveries: Photography and mortality” (exhibition review), Art and Australia, vol 45 No 2 (2007), p.293 (ISSN 0004 301 X)
“Brenda Niall: Judy Cassab”, book review, Times Literary Supplement, No 5375, April 7, 2006, p.33
Justin O’Brien: A survey exhibition 1938-1995, Brisbane, Philip Bacon Galleries, 2006 48pp [ISBN 0-9587520-9-5]
“Kaye Green and her meditations in art”, catalogue essay, Kaye L. Green: Seeing the same moon, Carnegie Gallery, Hobart 2006, pp.19-23; Japanese translation pp.24-29 [ISBN 0-646-46556-2]
“The gentle art of collaboration: Ken Tyler”, Art and Australia, vol 44 No 1 (2006), pp.104-109 (ISSN 0004 301 X)
“The digital divide in Australian Printmaking”, Imprint, vol 41/No 2 (2006), pp.23-27 (ISSB 0313 3907)
“Profiles in print: Milan Milojevic”, Craft Arts International, No 66, 2006, pp.53-55
“Margaret Preston” exhibition review, Craft Arts International, No 66, 2006, pp.81-83
“Tommaso Durante: artists books and meditations on black”, Artists’ Books Review, (USA) vol number 2 No 22, winter 2006, pp1-3 (ISSN 1557 8496)
“Yvonne Boag”, exhibition review, Australian Art Collector, No 35 (2006) p. 249
Artists’ profiles: Pat Brassington, Bruno Leti, Jan Senbergs, Garry Shead, Jeffrey Smart, Sally Smart, Australian Art Collector, No 35 (2006) pp. 95, 111, 124, 125, 128, 129
“Printmaker: Susanna Castleden”, Australian Art Collector, No 35 (2006) p. 280
“Awash with colour: Helen Frankenthaler”, Australian Art Review, issue 9, 2006, p. 87
“Ken Tyler at the National Gallery of Australia”, Artonview, issue 45 (2006), p. 56 [ISBN 1323-4552]
“What should Australian art historians teach?”, Artlink: Contemporary Art Quarterly, vol 26/1 (2006) pp.64-65
“The Ken Tyler phenomenon”, Imprint: Quarterly Journal of the Print Council of Australia, vol 41/1 (2006) pp., 12-15 [ISSB 0313-3907]
Susan Enriquez: Vivace, catalogue essay, University of Newcastle, 2006, pp4-5 [ISBN 0-9758461-0-8]
“Cecile Galiazzo”, Australian Art Collector, No 36 (2006) p. 122
“Constable: Impressions of land, sea and sky”, Australian Art Collector, No 36 (2006) p. 231
“Printmaker: Raymond Arnold”, Australian Art Collector, No 36 (2006) p. 280
“Ian Armstrong 1923-2005”, Art and Australia, vol 43 No 4 (2006), p526 (ISSN 0004 301 X)
“Impressions on paper”, Australian Art Review, issue 11, 2006, p. 91
“Printmaker: Rona Green”, Australian Art Collector, No 37 (2006) p. 352
“Michael Taylor: Swing collages”, Australian Art Collector, No 37 (2006) p.291
“Fred Cress figured it out”, Australian Art Collector, No 38 (2006) pp174-183.
“Glen Clarke and Dean Bowen”, Australian Art Collector, No 38 (2006) p.297
“Printmaker: Geraldine Berkemeier”, Australian Art Collector, No 38 (2006) p.352
“Profiles in print: Hertha Kluge-Pott”, Craft Arts International, No 68, 2006, pp.62-65
“David Larwill: Still raw after all those years”, Australian Art Review, issue 12, 2006, p. 95
“Margaret Preston”, exhibition review, Craft Arts International, No 66, 2006, pp.81-83
“The hands of Farideh Zariv”, catalogue essay in Farideh Zariv: Hand of Fatima, Canberra Museum and Gallery, Canberra 2005, p5
“Southern Highlands Printmakers”, catalogue essay, Campbelltown Arts Centre, 21 January – 27 February 2005, 6pp.
“The apotheosis of Ern Malley”, catalogue essay, Hazelhurst Regional Gallery and Arts Centre, Sydney 2004/05, 12pp
“Profiles in print: Karen Casey”, Craft arts International, No 63, 2005, pp.68-70
“Gone bush: Southern Highlands Printmakers”, Australian Art Review, No 7, Mar – Jun 2005, p. 92
“Alex Asch”, Australian Art Collector, No 32 (2005) p 98
“Printmaker: Meg Buchanan”, Australian Art Collector, No 32 (2005), p.256
“Jo D’Hagé: Trousseau”, catalogue essay, Fish Lane Gallery, Brisbane, 2005
“Margaret Preston: Australian printmaker”, Imprint [Print Council of Australia], vol 40, number 2, 2005, p. 16 [ISSB 0313 3907]
“Murray Walker: Light and dark in the Glenlogie suite”, catalogue essay, Australian Print Workshop, Melbourne 2005
“The legacy of Mad Maggie”, Australian Art Review, issue 8, 2005, pp. 80-81
“Fertile Obsessions: Fiona Hall”, Australian Art Review, issue 8, 2005, p. 13
Paul Storey: Mystical vision, catalogue essay, Australian Galleries, Melbourne 2005
“Mariana del Castillo”, Australian Art Collector, No 33 (2005), p. 118
“Printmaker: Bruno Leti”, Australian Art Collector, No 33 (2005), p. 280
“Bill Viola: The Passions”, Australian Art Collector, No 34 (2005) p.217
“Printmaker: Anne Lord”, Australian Art Collector, No 34 (2005) p. 145
“Sarah Woods”, Australian Art Collector, No 34 (2005) p. 123
“Jenny Sages: The quiet achiever”, Australian Art Review, vol 9, 2005, pp. 52-54
“John Wolseley: Sacred ecology”, Australian Art Review, vol 9, 2005, pp. 55-57
“Australia Made”, Australian Art Review, no 5 (2004), pp. 78-79
“Jackie Gorring”, Australian Art Collector, no 29 (2004), p. 106
“The ubiquitous print”, catalogue essay in Convergence: Views of contemporary Australian print, Cowra Art Gallery, April-June 2004
“John Forrester Clack and the vision of the Passion”, catalogue essay, Forrester Clack: The Spirit, Michael Nagy Fine Art, Sydney 2004
“Sean Scully in print”, Imprint: The journal of the Print Council of Australia, vol 39 no 3 (2004) pp. 16-17, ISSB 0313-3907
“Mandy Martin and Trisha Carroll: Absence and Presence”, Australian Art Collector, no 30 (2004), p. 165
“Po-Mo mafia”, Australian Art Review, no 6 (2004), p. 22
“Yolngu genius: No ordinary place: the art of David Malangi”, Australian Art Review, no 6 (2004), pp. 84-85
“Not lost in translation”, Australian Art Review, no 4 (2004), pp. 97-98
“The rise and rise of the National Gallery of Australia”, Art and Australia, vol 41/2 (2003) pp. 256-71
“The painter, the potter and the Muse”, Pottery in Australia: The journal of Australian ceramics, vol 42, number 3 (2003), pp. 18-22
“Australian art at the National Gallery of Australia”, The World of Art and Antiques, Feb-July 2003, pp. 11-16
“Interview with Petr Herel”, Grapheion: European review of modern prints, book and paper art, vol 15-16 3/4 2000, pp. 140-41, (ISSN 1211-6904)
“John Coburn and his vision of the Australian landscape”, catalogue essay, Australian Galleries, Melbourne np. and no ISBN
“Garry Shead: Artist and the Muse”, catalogue essay in Garry Shead: Artist and the Muse, Australian Galleries, Melbourne 2000 6 pp. (no ISBN)
“Mount Sinai for pilgrims”, Artonview, vol 21 Autumn 2000, pp14-17 (ISSN 13234552)
S.T Gill ‘Miscellaneous sketches’ entry, Leonard Joel: Australian and European Paintings, April, Melbourne 2000, pp. 28-31 (no ISBN)
“The enigma of Balthus”, Artonview, No 22 (Winter 2000), pp. 50-51 (ISBN 1323-4552)
“Garry Shead: Amazed and amused”, Australian Art Collector, No 14, Oct – Dec 2000, pp. 78 – 82 (ISSN 1328-9586)
Introductory essay, The nudes of John Brack, Rex Irwin, Sydney 1999, np
“Death of John Brack”, Art Monthly, March 1999, No 117, pp. 31-32 (ISSN 1033 4025)
“Canberra arts scene”, Art and Australia, vol 36/No 3, 1999, p 436 (ISSN 0004-301 X)
"Monet's Waterlilies: A reflection", Artonview, No 15 (1998) pp. 4-7 (ISSN 1323 4552)
"Dianne Fogwell: A printmaker on the boundaries of art", Imprint, vol 33, No 2, 1998, pp. 26-27 (ISSB 0313-3907)
"NGV: Resuscitation or desecration?", Art Monthly No 100 (1997) pp. 33-34 (ISSN 1033 4025)
"Fecund and dark: Peter Pinson: Emanuel Raft", Australian Book Review, No 193, August 1997, pp. 12-13 (ISSN 01 55-2864)
"Tim Moorhead: Vessel icons", catalogue essay, Moorhead Colours, Albury, NSW, np. (ISBN 0-646-31857-8)
"The Voyages of Franz Kempf", catalogue essay, BMG Art, Adelaide 1997 1p (no ISBN)
"Art and its histories", Artonview No 11 (1997) pp. 39-41 (ISSN 1323-4552)
"European visions of the Other", Art Monthly No 96 (1996) pp. 27-28
"Angela Komives: Recent stories", Imprint, vol 31/4 (1996) p 5
"Art and State Patronage", Artonview, vol v (1996) pp. 22-24 National Gallery of Australia
Therese Weber: Destination - Earth and Sky, Canberra School of Art, ANU, Canberra 1996, pp. 11-15 + translation into German, catalogue essay
John Brack: Selected Paintings: 1950s to 1990s, catalogue essay Geelong Art Gallery, 1996, np,
"Three cultures", Art Monthly Australia, issue 81, July 1995, pp26-27
"A Creative collaboration", Modern Painters [London], vol. 7 No 2 1994, pp. 72-74
"Portraits, portraiture and portrait galleries", National Library of Australia News, Nov 1993, pp. 10-13
"Catalyst of forms: Marc Clark", Craft Art International, 1992, No 28, pp. 56-9
"John Brack: The Battle 1981-1983", Art and Australia, vol. 28/4 (1991), pp. 498-99, 560.
"Martin Coyte and Jack Randell", Art Monthly Australia, issue 41, June 1991, p. 20.
"David Blackburn: A master of metamorphosis", Craft Arts International, 12, 1988, pp. 47-50
"Petr Herel: The Art of book illustrating", Craft Arts International, 13, 1988, pp. 50-54
Review: Lyn Rodley, Cave Monasteries of Byzantine Cappadocia, Journal of the Society of Architectural Historians, vol.XLVII:2, 1988, pp. 194-195
"Little windows on our past", Craft Australia, 1988, 2, pp. 104-106
"Fred Williams: A Retrospective", APC (Asian Pacific Culture: Cross-cultural magazine of the Asian Cultural Centre for UNESCO), 41, 1988, p 24
"Canberra Review", Art and Australia, vol.XXV:1, 1987,
pp. 40-41
"The Visual Arts in the ACT"; "Australian National Gallery: A Preview", Australian-Art Review, vol.1, Sydney, 1982, pp. 66-67; 94-95
Australian National Gallery, Genesis II, Canberra, 1978, (catalogue contributions on Giovanni di Paolo and Dubuffet).
"Virgin as a Fountain of Life", Proceedings of the Russian Colloquium, Melbourne, 1977, pp. 100-103
"The 1074-1083 layer of frescoes at the Bachkovo ossuary", paper for the XV International Congress of Byzantine Studies, Athens, 1976, abstract published in the Reports.
"Sovetskij skul'ptor: Vadim Sidur", Epokha, Jan./Feb.1973, pp. 12-13 (text in Russian).
Since 1977 some 2241 short articles, critiques of exhibitions, book reviews, catalogue entries, biographical entries and encyclopaedia entries have been published in:
The Canberra Times, The Age (Melbourne), Sydney Morning Herald, Art and Australia, Art Monthly, Craft-Arts International, Leonardo (Paris), TLS (London), Print Quarterly (London), Parergon, Journal of Architectural Historians (USA), Campus Review (Sydney), Artonview (Canberra), Artlink (Adelaide); Australian Art Collector (Sydney); Art and Antiques (Brisbane), Australian Journal of Art, Asian Pacific Culture (UNESCO/Tokyo), Australian Dictionary of Biography; Australian National Gallery News; National Library of Australia New; The Conversation, Speculum (Harvard University); Modern Painters (London); ANU Reporter and Dictionary of Art (London).
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