MAJOR ARTICLES AND BOOK CHAPTERS
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"Review of ‘Tim Harte, Faster, Higher, Stronger, Comrades: Sports, Art, and Ideology in late Russian and Early Soviet culture’", University of Wisconsin Press, 2020 in Australian Slavonic and East European Studies, vol 36 (2022), pp176-179
“Inside the collection: The Bruno Leti gifts to Gippsland”, Gallery News: Gippsland Art Gallery, vol 3, No 2 (2022-23), pp.40-47 ISSN: 2652-807X
“Foreword”, “The Lotus Cycle”, in Thomas Middlemost (ed.), Bruno Leti: Series A life of images, Melbourne, The Miegunyah Press, Melbourne University Publishing, 2022, p.vii, pp.40-43ISBN 978-0-522-87882-0
“Idris Murphy”, Artist Profile, 2022, issue 60, pp.114-120
“Australian High Modernism”, in Christopher Allen (ed.), A companion to Australian art, Hoboken NJ, Wiley Blackwell, 2021, pp.343-360
Enciclopedia dell’Arte Contemporanea Treccani, 4 volumes, Rome, 2021, Sasha Grishin appointed Oceania Editor and contributed entries on:
Aboriginal Memorial; Antipodeans; Baldessin, George; Black, Dorrit; Blackman, Charles; Booth, Peter; Boyd, Arthur; Brack, John; Cossington Smith, Grace; Counihan, Noel; Davis, John; Fairweather, Ian; Firth-Smith, John; Gascoigne, Rosalie; Hall, Fiona; Harris, Brent; Heide Circle; Henson, Bill; Hester, Joy; Johnson, Tim; Kame Kngwarreye, Emily; Kemp, Roger; King, Inge; Leti, Bruno; Maddock, Bea; Meeks, Arone; Melbourne; Mitelman, Allan; Mostre d’arte contemporanea Oceania; Museo d’arte contemporanea Giappone; Namatjira, Albert; Nolan, Sidney; Olsen, John, Papunya art movement; Passmore, John, Perceval, John; Preston, Margaret; Robertson-Swann, Ron; Robinson, William; Scientific tonalism; Senbergs, Jan; Shead, Garry; Thomas, Rover; Traill, Jessie; Whisson, Ken; Whiteley, Brett, Wolseley, John
“Angry Penguins – an Australian avant-garde journal”, Уметност за читање, Часопис Уметнички преглед и његов значај, Зборник радова, Belgrade 2021, pp.391-400
“Wendy Stavrianos: Paintings from a room”, Artist Profile, 2021, number 54, pp.114-19
“Inge King: A tribute”, Artist Profile, 2021, number 55, pp.142-45
“John Wolseley”, HOTA Collects, Home of the Arts, Gold Coast, Queensland, 2020, pp.262-63
“The circus of Life: Peter Cole”, Artist Profile, 2020, number 51, pp.142-45
“Ken Tyler legacy”, Imprint, vol 54, No 1 (2019)
“Spatial drawings of Hannah Quinlivan”, in Hannah Quinlivan: Monograph 2011-2018, Melbourne, Flinders Lane Gallery, 2018, ISBN 9780648221845, pp.10-19
"Rattling Spears: A history of Indigenous Australian Art by Ian McLean", book review, Aboriginal History, vol. 40, (2016/17), pp. 341-43
"Sculptors from Western Australia and Sculpture by the Sea", Sculpture by the Sea, Cottesloe, (catalogue) Perth 2017, pp. 64-66
“Assonances and the shape of time” in Bruno Leti Assonances, Melbourne, Nicholas Thompson Gallery, 2017, catalogue essay, pp.19-27 (ISBN 978-0-9953510-1-1)
Jean Fornasiero, Lindl Lawton and John West-Sooby (eds.), The Art of Science: Nicolas Baudin’s voyagers 1800-1804, Adelaide, Wakefield Press, 2016, chapter “Reading the work of Charles-Alexandre Lesueur and Nicolas-Martin Petit”, pp.142-153 (ISBN 978 1 74305 427 7)
“Twenty years of Sculpture by the Sea”, book chapter in David Handley (ed.), Sculpture by the Sea; The first twenty years 1997-2016, Sydney, Sculpture by the Sea Inc., 2016, pp.6-14 (ISBN 978-1-876624.47.7)
"Brian Blanchflower", "Tony Clark", "Richard Dunn", essays in Natasha Bullock (ed.) MCA Collection Handbook, Sydney, Museum of Contemporary Art, 2016, pp. 68-71, 90-93, 118-19; (ISBN 9781921034848)
“Lit from within”, “Sombre lament for loss”, essays in Mark Butler (ed.), Many hands: The first 40 years of the Australian Tapestry Workshop, Melbourne, HarperCollins Publishers, 2016, pp.20-29; 36-39; (ISBN 978 1 4607 5316 3)
“The impact of Christo on the development of Australian art” in Изкуствоведски четения, 2014, Sofia, 2015 pp. 398-404 (fully refereed)
Udo Sellbach: And still I see it, Queen Victoria Museum & Art Gallery, Launceston, 2016 pp.10-21 (ISBN 9780975802618)
Vanessa Van Ooyen (ed.), Genesis: William Robinson, Brisbane, Queensland University of Technology, 2016, ‘William Robinson: The printmaker’, pp.56-77 (ISBN 978-0-85856-002-8)
“Books in the Canberra region: the golden years”, The LaTrobe Journal, No 95 (2015), pp.32-41, fully refereed (ISBN 1441-2760)
‘St Nicholas’, ‘Christ Pantocrator’, ‘Christ as the Angel of Great Counsel’, ‘Pietà’ and ‘Mother of God, Tikhvinskaya’ in Gordon Morrison, Alexander Grishin and Sophie Matthiesson, Eikõn: Icons of the Orthodox Christian World, Ballarat, Art Gallery of Ballarat, 2015, pp.50-53, 104-107, 114-117, 164-65, 170-71 (ISBN9780992481-407)
“The impact of digital technologies on contemporary Australian printmaking” in Luke Morgan (ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference, Melbourne, Monash University Publishing, 2013, pp.186-189 (ISBN: 978-1-921867-56-9) (fully refereed)
Wentja Morgan Napaltjarri: The power of tradition/La puissance de la tradition, Arts d’Australie, Paris, 2013, 43pp., (ISBN 978-2-9544576-1-1) (monographic essay)
“The personal histories of Raymond Arnold”, monographic catalogue essay for Unique states seriality and the panoramic: A survey exhibition of three decades of prints by Raymond Arnold, curated by Sasha Grishin, Burnie, Tasmania, Burnie Regional Art Gallery, 2012, pp. 6-24 (ISBN 978-0-9872623-5-6)
“Introduction: The many lives of ROAR”, in Denise Morgan, ROAR Re-viewed: 30 years on, Melbourne, Macmillan, 2011, pp.7-11 (ISBN 978-1-9211394-69-0)
“The spiritual in the art of Leonard Brown” in Union with reality: The art of Leonard Brown, Brisbane, QUT Art Museum, 2011 (chapter), pp.18-31 (ISBN: 978-1-921897-13-9)
“Sydney printmakers: Fifty years on”, in Hot off the press: New Directions, Sydney Printmakers celebrating 50 years, Manly Art Gallery and Museum, Sydney 2011, pp.6-11
“A Byzantine pilgrim: Bars’kyj’s manuscript and its real and imagined audiences”, in Gregory Kratzmann (ed.), Imagination, books and community in medieval Europe, Macmillan and State Library of Victoria, 2010, pp.145-152 (ISBN 978-1-921394-33-1)
“On the gentle art of collaborating with Lino: Collaborations between Australian artists and the La Paloma pottery at Hill End”, monographic catalogue essay in Lino Alvarez: Collaborations in clay, Bathurst Regional Art Gallery, Bathurst 2010, 24pp. (ISBN 0 947301 81 X)
“The enigma of John Brack: notes towards a portrait of the artist”, chapter in Kirsty Grant (ed.), John Brack, National Gallery of Victoria, Melbourne 2009, pp.152-161 [ISBN9780724103058]
“American Printmaking 1905-1960: Framing a critical reassessment”, Imprint, volume 44, number 1 (2009), pp.1-2 (ISSN 0313 3907) fully refereed article
“Ron McBurnie and the humanist tradition of art” in Frances Thomson (ed.), Metal as anything: Ron McBurnie, monographic catalogue, Perc Tucker Regional Gallery Townsville, 2009, pp. 6-14 (ISBN 0-9578987-7-0)
“Australian prints” Print Quarterly, (London), vol xxvi/2 (2009, pp.189-191 (ISSN 0265-8305)
“The rise and rise of the blockbuster exhibition”, Australian Art Review, No 18 (2009), pp.28-30 (ISSN 1447-8587)
“Leonard French: The legend of Sinbad the sailor”, in Lesley Harding and Sue Cramer, Cubism and Australian Art, Melbourne University Press, 2009, p.205 (ISBN 9780522856736)
“John R. Walker: Painting from the landscape”, Art Monthly, #226, 2009/10, pp.36-37 (ISSN 1033 4025)
“Misty Modern”, Australian Art Review, No 18 (2009), p.73 (ISSN 1447-8587)
“Bill Whiskey Tjapaltjarri c.1920-2008”, Australian Aboriginal Art, number 1 (2009), pp.162-65 (ISSN 1836-6368)
“Profiles in Print: Glen Skien”, Craft Arts International, No 75, 2009, pp.56-59 (ISSN 1038-846X)
“Open Air: Portraits and landscapes”, Craft Arts International, No 75, 2009, pp.78-79 (ISSN 1038-846X)
“Graham Kuo: reflected in one dewdrop” catalogue essay, Graham Kuo New Works, Wilson Street, Sydney, 2009, p.5
“Ruth Faerber: Fragments and inscription” catalogue essay, Excavations, fragments and inscriptions: Gifted works by Ruth Faerber, Burnie Regional Art Gallery, Tasmania, 2009
“Warlukurangu artists, Yuendumu”, Australian Art Collector, 48, 2009, pp.182-83, (ISSN1238-9586)
“To droit de suite or not to droit de suite”, Australian Art Review, No 19 (2009), pp.26-27 (ISSN 1447-8587)
“Mono uno: Monotypes from the Charles Sturt University art collection”, Imprint, vol 44, number 2 (2009), pp.26-27 (ISSN 0313 3907)
“Australian artists’ books”, Print Quarterly, (London), vol xxvi/2 (2009, p.178 (ISSN 0265-8305)
Book review: “The outsider: A portrait of Ursula Hoff” in Imprint, volume 44, number 3 (2009), p.7 (ISSN 0313 3907)
“Profiles in Print: Geoffrey Ricardo”, Craft Arts International, No 76, 2009, pp.39-42 (ISSN 1038-846X)
“Degas: Master of French art”, Craft Arts International, No 76, 2009, pp.90-93 (ISSN 1038-846X)
“Profiles in Print: Olga Sankey”, Craft Arts International, No 77, 2009, pp.47-51 (ISSN 1038-846X)
“Uncertainty as a creative force in visual art” in Gabriele Bammer and Michael Smithson (eds.), Uncertainty and risk: Multidisciplinary perspectives, Earthscan, London, 2008, pp.115-125 [ISBN: 978-1-84407-474-7]
“A New History of Australian Art: Dialectic between Indigenous and Non-Indigenous Art”, International Journal of the Humanities, Volume 6, Issue 7 (2008), pp.97-104 (fully refereed)
David Larwill and the Western Desert artists, (catalogue essay) Stephan Weiss Studio, New York, 2008 pp.5-37
“Eastern Christian iconographic and architectural traditions”, in K. Parry (ed.), Blackwell companion to Eastern Christianity, Oxford, Blackwell Publishing, 2007, pp.368-387 (ISBN 978-0-631-23423-4)
“John Brack and the cerebral portrait” in Andrew Sayers (ed.), Portraits by John Brack, Canberra, National Portrait Gallery, 2007, pp.2 – 15 (ISBN 978-0-9775761-1-1)
“Bars’kyj and the Orthodox community”, in Michael Angold (ed.), The Cambridge History of Christianity: Eastern Christianity, Cambridge, Cambridge University Press, 2006, pp.210-228 [ISBN 13 978-0-521-81113-2]
“André Giroux and the nineteenth-century landscape vision”, monographic essay in André Giroux, Wertheimer Foundation, London 2004, pp. 25-63 (ISBN 1 87478095 1)
“Tiller and Riley at the National Gallery”, Art and Australia, vol 44 No 2 (2006), p168-71 (ISSN 0004 301 X)
“After the Cultural Revolution: Contemporary art in Shanghai”, Art and Australia, vol 44 No 2 (2006), p178-81 (ISSN 0004 301 X)
“Mother of God of Tikhvine”, in Richard Temple (ed.), Masterpieces of Early Christian Art and Icons, London, Temple Gallery 2005, pp. 68-71
“Bill Viola in conversation”, Art and Australia, (2005) vol 43/2, pp. 262-67 (ISSN 0004-301 X)
“The original print in the age of digital reproductions” in Contrasts within the Charles Sturt University Art Collection, Wagga Wagga Regional Art Gallery, 2005, pp.41-49 (ISBN 1864671637)
Martin Coyte: Uplifted horizons, catalogue essay, Bathurst Regional Gallery, Bathurst 2005 pp. 5-19 (ISBN: 0 947301 53 4)
“Profiles in print: Martin King”, Craft arts International, No 64, 2005, pp.58-60
“Megalo at 25”, catalogue essay published in 25 x 25 Celebrating 25 years of Printmaking Megalo Access Arts 1980-2005, Canberra 2005, 4pp.
“Profiles in print: Stephen Spurrier”, Craft arts International, No 65, 2005, pp.80-82
“The lithographs of Elwyn Lynn”, catalogue essay in Elwyn Lynn: Works on Paper, Charles Sturt University, Wagga Wagga 2004, pp. 32- 37 (ISBN 186467153X)
“Decadence and desire”, Australian Art Review, no 5 (2004), pp. 62-65
“The Australian Print Workshop and Australian printmaking”, chapter in Roger Butler and Anne Virgo (eds.), Place Made: Australian Print Workshop, National Gallery of Australia, Canberra 2004, pp. 28-45 (ISBN 0 642 54155 8)
“The Australian National University Art Collection: An overview”, in ANU Art Collection: Acquisitions from the past ten years, Drill Hall Gallery, ANU, Canberra 2004, pp. 17-41 (ISBN 0 9581 560 0 X)
“Wendy Teakel and the rural vision in Australian sculpture”, Craft Arts International, vol 60, number 3 (2004), pp. 18-23
“A collection of masterpieces” in Pauline Green (ed.), Building the collection, National Gallery of Australia, Canberra 2003, pp. 210-33 (ISBN 0 642 54202 3)
“The iconography of Leonard Brown’s abstract paintings”, Up and down backwards and forwards, Charles Nodrum Gallery, Melbourne 2003, pp.5-15 catalogue essay (ISBN 0 9750623 0 1)
“The etchings of Graham Fransella” in Graham Fransella – eau forte, Stonington Stables Museum of Art, Deakin University, Melbourne 2003, pp. 4-17 catalogue essay (ISBN 0 7300 2576 4)
“Art of conscience”, Australian Art Review, no 3 (2003/04), pp. 47-49
“Roger Kemp/Godfrey Miller” in Barry Pearce (ed.). Parallel Visions: Works form the Australian Collection. Art Gallery of New South Wales, Sydney 2002, pp. 104-115 (ISBN 0 7347 6328 X)
“Bars’kyj on Cyprus: New material”, Third International Congress of Cypriot Studies, (in Greek) vol 3, Nicosia 2001, pp. 141-148 (ISBN 9963-557-18-X)
“Helen Geier: Chance and other games”, Art and Australia, vol 39/No 2, 2001, pp. 268- 275 (ISSN 0004-301 X)
Book review : ‘Evgeny Steiner, Stories for Little Comrades: Revolutionary artists and the making of early Soviet Children’s books’, in Print Quarterly, (London) XVIII, 2001/2, pp233-34
Kándl miroitement, Atelier 80, Paris 2000, chapter “Lukás Kándl, un surréaliste tchèque en France” pp. 72 – 93 (no ISBN)
“The making and collecting of graphic arts in contemporary Australia”, Grapheion: European review of modern prints, book and paper art, vol 15-16 3/4 2000, pp. 64-79, (ISSN 1211-6904)
‘Dianne Fogwell: A printmaker on the boundaries of art’ and ‘Dreams and swords: The artists books of Dianne Fogwell’, catalogue essays in Dianne Fogwell: Collected works 1979-2001, Canberra 2001, pp. 20-27, (ISBN 0 9579133 0 3)
Australian Painters of the Twentieth Century, Lou Klepac (ed.), Beagle Press, Sydney 2000, chapters on John Brack pp. 160-171; Fred Williams pp. 184-195 (ISBN 0 947349 30 8)
Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, chapters on Arthur Boyd, John Firth-Smith, Rosalie Gascoigne, George Gittoes, Colin Lanceley, Bruno Leti, Bea Maddock, Allan Mitelman, David Rankin, Jan Senbergs, Garry Shead, Andrew Sibley, Sally Smart and John Wolseley (four pages on each) (ISBN 90 5703 252 X)
“David Hockney’s A bigger Grand Canyon”, Art and Australia, vol 37/No 3, 2000, pp. 380- 387 (ISSN 0004-301 X)
“The culture of scandals in Australian art”, Art and Australia, vol 37/No 3, 2000, pp. 406- 413 (ISSN 0004-301 X)
“A luminous continent”, catalogue essay in Bruno Leti: The Children’s Court Paintings, Melbourne, Magistrates’ Court of Victoria, Melbourne, 2000, pp13-22 (ISBN 073115276X)
“Realism, caricature and phrenology: Early colonial depictions of the indigenous peoples of Australia”, in The world upside down: Australia 1788-1930, National Library of Australia, Canberra 2000, pp13-19 (ISBN 0 642 10713 0)
Australian Identities in Printmaking, catalogue, Wagga Wagga Regional Art Gallery, Wagga Wagga Regional Art Gallery 2000, 94 pp. (ISBN 1875247157)
“Chandler Coventry: A beautiful obsession”, Art and Australia, vol 37 No 2, 1999, pp. 262- 269 (ISSN 0004-301 X)
Helen Geier: Different fields of vision, Lasalle-SIA, Singapore 1999, 60 pp. (ISBN 0 646 37871 6)
Petr Herel, Pismo Duse :A retrospective, monographic catalogue, ANU Drill Hall Gallery, Canberra 1999, 64 pp. (ISBN 0 7315 2827 1)
“Classic Cézanne: A struggle between cerebral ordering and sensuous instinct”, Art and Australia, vol 36/No 4, 1999, pp. 478-480 (ISSN 0004-301 X)
"The Journeys of John Wolseley", Art and Australia, vol 36, No 1, 1998 pp. 68-75 (ISSN 0004-301 X)
"Autumn in the Garden of Eden: Leonard French and the 'Genesis' series", in Australian Art 1850-1965: Brought to light, Queensland Art Gallery, South Brisbane 1998 pp. 276-279
"Rex Nan Kivell and his collection", in Paradise Possessed: The Rex Nan Kivell Collection, National Library of Australia, Canberra 1998, pp. 1-6 (ISBN 0 642 10698 3)
"Bruno Leti and the 'Hortus Conclusus'", Art and Australia, vol 35, No 4, 1998, pp. 530-536 (ISSN 0004-301 X)
"Art into landscapes: New Australian images through British eyes", Humanities Research, Winter 1997, pp. 46-58 (ISSN 1440-0669)
"Lukas Kándl: A Czech Surrealist in France" in Lukas Kándl: Recent paintings, ANU Drill Hall Gallery, Canberra 1997, pp. 5-28 (with French translation) - catalogue essay (ISBN 07315 2822 0)
"David Blackburn and the Australian Landscape", catalogue essay, 34 pp. ANU Drill Hall Gallery, Canberra 1997 (ISBN 0-7315-2876-X)
"John Wolseley: Journeys in the Antipodes", catalogue essay, 30 pp. ANU Drill Hall Gallery, Canberra 1997 (ISBN 0-7315-2877-8)
"Mary Husted: Palimpsest and Landscapes", catalogue essay, 28 pp. ANU Drill Hall Gallery, Canberra 1997 (ISBN 0-7315-2878-6)
"Early Christian and Byzantine art: Monumental Painting and Mosaic c 843- c1204", The Dictionary of Art, Grove, London 1996 vol 6 pp. 575-582
First Canberra Drawing Biennale, ANU Drill Hall Gallery, Canberra 1996, pp. 5-10 (co-author) 20, 22, 24, 26, 28 30, catalogue essays
"Bars'kyj's account of the monasteries of Cyprus: A Ukrainian pilgrim in early eighteenth-century Cyprus", Modern Greek Studies Yearbook, vol x/xi (1994/95) pp. 19-35 University of Minnesota
"Vasyl' Hryhorovyc Bars'kyj: An Eighteenth-Century Ukrainian Pilgrim in Italy", Harvard Ukrainian Studies, vol xvii/1-2 (1993) pp. 7-26 Harvard University
ANU Art Collection: Fiftieth Anniversary Touring Exhibition, ANU Drill Hall Gallery, Canberra 1996, pp. 15-33, catalogue essay
Robin Wallace-Crabbe and the Art of Visual Intelligence, ANU Drill Hall Gallery, Canberra 1996, pp. 5-22, catalogue essay
AMCOR Paper Awards: An exhibition of works of art on paper and with paper by nine invited artists, Westpac Gallery, Victorian Arts Centre, Melbourne 1995 catalogue essay pp. 7-75
George Foxhill: An obsessive vision. Paintings, drawings, sculptures: 1980-95, ANU Drill Hall Gallery, Canberra 1995, catalogue essay 44 pp.
Udo Sellbach: And still I see it, ANU Drill Hall Gallery, Canberra 1995, catalogue essay, pp. 13-34
Les Kossatz: Relics, Parkhouse Publishing, Sydney 1995, catalogue essay, pp. 1-13
"Australia's cultural heritage: The visual record" in John Thompson ed. The People's Treasure, National Library of Australia, 1993 pp. 36-45
Wendy Stavrianos: Mantles of Darkness, Castlemaine Art Gallery, 1993, catalogue essay, pp. 4-8
“S.T. Gill: defining a landscape”, Voices, (National Library of Australia) II/4 Summer 1992-93, pp. 5-19.
Andrew Sibley: Survey 1970-1992, Irving Galleries, Sydney, 1992, 8 pp.
"The question of the 'Stroganov style' in Russian icon-painting", Australian Slavonic and East European Studies, 5,2 (1991), pp. 43-51.
Jean-Edouard Augsburger, Canberra, 1991, (catalogue essay), 10pp.
Andrew Sibley: Drawings, Melbourne, 1991, (catalogue essay), 20pp.
"Jean-Edouard Augsburger and the dimensional print", in Jean-Pierre Brossard ed., Jean-Edouard Augsburger: Graveur, La Chaux-de-Fonds, Switzerland, 1991, pp. 111-135 (with French and Japanese translations).
Jan Brown: Canberra's first sculptor, Canberra, 1991, (catalogue essay), 16 pp.
John Brack in the Australian National Gallery, Australian National Gallery, 1990, (catalogue essay) 8 pp.
"Figurations", Unreal city, 1:3, (Canberra) 1990, pp. 35-40
"Byzantine iconographic programmes in Cappadocia: The Church of St Barbara in Soganli dere", Phronema, 4, 1989, pp. 45-51
"The Church of Yusuf Koç near Göreme village in Cappadocia", Mediterranean Archaeology, 3, 1990, pp. 39-45, plates 20-23.
David Blackburn: A Vision of landscape, Uppingham, Rutland, 1989, (catalogue essay) 12 pp.
"Constantinople and Cappadocia in the eleventh century: Center and periphery", in Irving Lavin ed., World Art: Themes of unity in diversity, Pennsylvania State University Press, vol. I, 1989, pp. 81-86
"Vasyljiy Bars'kyj and the xozdenija tradition", Australian Slavonic and East European Studies Journal, vol.II:2, 1988, pp. 29-42
The Michael Edgley Collection of Art, Brisbane, 1987, (catalogue essay) 14 pp.
"The Cretan tradition of icon painting", Craft Arts, 6, 1986, pp. 55-61
George Foxhill: Paintings and drawings 1976-1986, Canberra, 1986, (catalogue essay) 44 pp.
"The Aght'amar wall paintings: Some new observations", Parergon, n.s. 3, 1985, pp. 39-51, 8 plates
"Icon inscriptions as a source for the history of early Russian mediaeval art", Melbourne Slavonic Studies, vol. XVII, 1983 (1984), pp. 57-78
"An Australian painter in Rome: Justin O'Brien", Art and Australia, vol. XXI, 1984, pp. 492-496
"Fred Williams and Australia's landscape", Hemisphere, vol.26:6, Melbourne, 1982, pp. 370-374
"European Art before 1850", in J. Mollison (ed.), The Australian National Gallery: An Introduction, Thames and Hudson, London, 1982, pp. 35-47
"Literary evidence for the dating of the Bachkovo ossuary frescoes", Byzantine Papers, Canberra, 1981, pp. 90-101
The Sydney alternative, The Boxer Collection: The Sydney alternative, Canberra, 1981, (catalogue essay)pp. 3-8
John Brack retrospective: Paintings and drawings 1945-1977, ANU, 1977, (catalogue essay) 14 pp., 68 plates
"Russian icon of the Virgin as the Source in a Melbourne collection", Russian Contributions, vol.1, 1976, pp. 43-58
"The Stroganov icons: A Study in late sixteenth century Russian patronage", NZ Slavonic Journal, vol.12, 1973, pp. 180-270
Lyrical digressions from Biblical themes: Graphic work of Vadim Sidur, Melbourne University, 1971, (catalogue essay) 4 pp.
“Inside the collection: The Bruno Leti gifts to Gippsland”, Gallery News: Gippsland Art Gallery, vol 3, No 2 (2022-23), pp.40-47 ISSN: 2652-807X
“Foreword”, “The Lotus Cycle”, in Thomas Middlemost (ed.), Bruno Leti: Series A life of images, Melbourne, The Miegunyah Press, Melbourne University Publishing, 2022, p.vii, pp.40-43ISBN 978-0-522-87882-0
“Idris Murphy”, Artist Profile, 2022, issue 60, pp.114-120
“Australian High Modernism”, in Christopher Allen (ed.), A companion to Australian art, Hoboken NJ, Wiley Blackwell, 2021, pp.343-360
Enciclopedia dell’Arte Contemporanea Treccani, 4 volumes, Rome, 2021, Sasha Grishin appointed Oceania Editor and contributed entries on:
Aboriginal Memorial; Antipodeans; Baldessin, George; Black, Dorrit; Blackman, Charles; Booth, Peter; Boyd, Arthur; Brack, John; Cossington Smith, Grace; Counihan, Noel; Davis, John; Fairweather, Ian; Firth-Smith, John; Gascoigne, Rosalie; Hall, Fiona; Harris, Brent; Heide Circle; Henson, Bill; Hester, Joy; Johnson, Tim; Kame Kngwarreye, Emily; Kemp, Roger; King, Inge; Leti, Bruno; Maddock, Bea; Meeks, Arone; Melbourne; Mitelman, Allan; Mostre d’arte contemporanea Oceania; Museo d’arte contemporanea Giappone; Namatjira, Albert; Nolan, Sidney; Olsen, John, Papunya art movement; Passmore, John, Perceval, John; Preston, Margaret; Robertson-Swann, Ron; Robinson, William; Scientific tonalism; Senbergs, Jan; Shead, Garry; Thomas, Rover; Traill, Jessie; Whisson, Ken; Whiteley, Brett, Wolseley, John
“Angry Penguins – an Australian avant-garde journal”, Уметност за читање, Часопис Уметнички преглед и његов значај, Зборник радова, Belgrade 2021, pp.391-400
“Wendy Stavrianos: Paintings from a room”, Artist Profile, 2021, number 54, pp.114-19
“Inge King: A tribute”, Artist Profile, 2021, number 55, pp.142-45
“John Wolseley”, HOTA Collects, Home of the Arts, Gold Coast, Queensland, 2020, pp.262-63
“The circus of Life: Peter Cole”, Artist Profile, 2020, number 51, pp.142-45
“Ken Tyler legacy”, Imprint, vol 54, No 1 (2019)
“Spatial drawings of Hannah Quinlivan”, in Hannah Quinlivan: Monograph 2011-2018, Melbourne, Flinders Lane Gallery, 2018, ISBN 9780648221845, pp.10-19
"Rattling Spears: A history of Indigenous Australian Art by Ian McLean", book review, Aboriginal History, vol. 40, (2016/17), pp. 341-43
"Sculptors from Western Australia and Sculpture by the Sea", Sculpture by the Sea, Cottesloe, (catalogue) Perth 2017, pp. 64-66
“Assonances and the shape of time” in Bruno Leti Assonances, Melbourne, Nicholas Thompson Gallery, 2017, catalogue essay, pp.19-27 (ISBN 978-0-9953510-1-1)
Jean Fornasiero, Lindl Lawton and John West-Sooby (eds.), The Art of Science: Nicolas Baudin’s voyagers 1800-1804, Adelaide, Wakefield Press, 2016, chapter “Reading the work of Charles-Alexandre Lesueur and Nicolas-Martin Petit”, pp.142-153 (ISBN 978 1 74305 427 7)
“Twenty years of Sculpture by the Sea”, book chapter in David Handley (ed.), Sculpture by the Sea; The first twenty years 1997-2016, Sydney, Sculpture by the Sea Inc., 2016, pp.6-14 (ISBN 978-1-876624.47.7)
"Brian Blanchflower", "Tony Clark", "Richard Dunn", essays in Natasha Bullock (ed.) MCA Collection Handbook, Sydney, Museum of Contemporary Art, 2016, pp. 68-71, 90-93, 118-19; (ISBN 9781921034848)
“Lit from within”, “Sombre lament for loss”, essays in Mark Butler (ed.), Many hands: The first 40 years of the Australian Tapestry Workshop, Melbourne, HarperCollins Publishers, 2016, pp.20-29; 36-39; (ISBN 978 1 4607 5316 3)
“The impact of Christo on the development of Australian art” in Изкуствоведски четения, 2014, Sofia, 2015 pp. 398-404 (fully refereed)
Udo Sellbach: And still I see it, Queen Victoria Museum & Art Gallery, Launceston, 2016 pp.10-21 (ISBN 9780975802618)
Vanessa Van Ooyen (ed.), Genesis: William Robinson, Brisbane, Queensland University of Technology, 2016, ‘William Robinson: The printmaker’, pp.56-77 (ISBN 978-0-85856-002-8)
“Books in the Canberra region: the golden years”, The LaTrobe Journal, No 95 (2015), pp.32-41, fully refereed (ISBN 1441-2760)
‘St Nicholas’, ‘Christ Pantocrator’, ‘Christ as the Angel of Great Counsel’, ‘Pietà’ and ‘Mother of God, Tikhvinskaya’ in Gordon Morrison, Alexander Grishin and Sophie Matthiesson, Eikõn: Icons of the Orthodox Christian World, Ballarat, Art Gallery of Ballarat, 2015, pp.50-53, 104-107, 114-117, 164-65, 170-71 (ISBN9780992481-407)
“The impact of digital technologies on contemporary Australian printmaking” in Luke Morgan (ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference, Melbourne, Monash University Publishing, 2013, pp.186-189 (ISBN: 978-1-921867-56-9) (fully refereed)
Wentja Morgan Napaltjarri: The power of tradition/La puissance de la tradition, Arts d’Australie, Paris, 2013, 43pp., (ISBN 978-2-9544576-1-1) (monographic essay)
“The personal histories of Raymond Arnold”, monographic catalogue essay for Unique states seriality and the panoramic: A survey exhibition of three decades of prints by Raymond Arnold, curated by Sasha Grishin, Burnie, Tasmania, Burnie Regional Art Gallery, 2012, pp. 6-24 (ISBN 978-0-9872623-5-6)
“Introduction: The many lives of ROAR”, in Denise Morgan, ROAR Re-viewed: 30 years on, Melbourne, Macmillan, 2011, pp.7-11 (ISBN 978-1-9211394-69-0)
“The spiritual in the art of Leonard Brown” in Union with reality: The art of Leonard Brown, Brisbane, QUT Art Museum, 2011 (chapter), pp.18-31 (ISBN: 978-1-921897-13-9)
“Sydney printmakers: Fifty years on”, in Hot off the press: New Directions, Sydney Printmakers celebrating 50 years, Manly Art Gallery and Museum, Sydney 2011, pp.6-11
“A Byzantine pilgrim: Bars’kyj’s manuscript and its real and imagined audiences”, in Gregory Kratzmann (ed.), Imagination, books and community in medieval Europe, Macmillan and State Library of Victoria, 2010, pp.145-152 (ISBN 978-1-921394-33-1)
“On the gentle art of collaborating with Lino: Collaborations between Australian artists and the La Paloma pottery at Hill End”, monographic catalogue essay in Lino Alvarez: Collaborations in clay, Bathurst Regional Art Gallery, Bathurst 2010, 24pp. (ISBN 0 947301 81 X)
“The enigma of John Brack: notes towards a portrait of the artist”, chapter in Kirsty Grant (ed.), John Brack, National Gallery of Victoria, Melbourne 2009, pp.152-161 [ISBN9780724103058]
“American Printmaking 1905-1960: Framing a critical reassessment”, Imprint, volume 44, number 1 (2009), pp.1-2 (ISSN 0313 3907) fully refereed article
“Ron McBurnie and the humanist tradition of art” in Frances Thomson (ed.), Metal as anything: Ron McBurnie, monographic catalogue, Perc Tucker Regional Gallery Townsville, 2009, pp. 6-14 (ISBN 0-9578987-7-0)
“Australian prints” Print Quarterly, (London), vol xxvi/2 (2009, pp.189-191 (ISSN 0265-8305)
“The rise and rise of the blockbuster exhibition”, Australian Art Review, No 18 (2009), pp.28-30 (ISSN 1447-8587)
“Leonard French: The legend of Sinbad the sailor”, in Lesley Harding and Sue Cramer, Cubism and Australian Art, Melbourne University Press, 2009, p.205 (ISBN 9780522856736)
“John R. Walker: Painting from the landscape”, Art Monthly, #226, 2009/10, pp.36-37 (ISSN 1033 4025)
“Misty Modern”, Australian Art Review, No 18 (2009), p.73 (ISSN 1447-8587)
“Bill Whiskey Tjapaltjarri c.1920-2008”, Australian Aboriginal Art, number 1 (2009), pp.162-65 (ISSN 1836-6368)
“Profiles in Print: Glen Skien”, Craft Arts International, No 75, 2009, pp.56-59 (ISSN 1038-846X)
“Open Air: Portraits and landscapes”, Craft Arts International, No 75, 2009, pp.78-79 (ISSN 1038-846X)
“Graham Kuo: reflected in one dewdrop” catalogue essay, Graham Kuo New Works, Wilson Street, Sydney, 2009, p.5
“Ruth Faerber: Fragments and inscription” catalogue essay, Excavations, fragments and inscriptions: Gifted works by Ruth Faerber, Burnie Regional Art Gallery, Tasmania, 2009
“Warlukurangu artists, Yuendumu”, Australian Art Collector, 48, 2009, pp.182-83, (ISSN1238-9586)
“To droit de suite or not to droit de suite”, Australian Art Review, No 19 (2009), pp.26-27 (ISSN 1447-8587)
“Mono uno: Monotypes from the Charles Sturt University art collection”, Imprint, vol 44, number 2 (2009), pp.26-27 (ISSN 0313 3907)
“Australian artists’ books”, Print Quarterly, (London), vol xxvi/2 (2009, p.178 (ISSN 0265-8305)
Book review: “The outsider: A portrait of Ursula Hoff” in Imprint, volume 44, number 3 (2009), p.7 (ISSN 0313 3907)
“Profiles in Print: Geoffrey Ricardo”, Craft Arts International, No 76, 2009, pp.39-42 (ISSN 1038-846X)
“Degas: Master of French art”, Craft Arts International, No 76, 2009, pp.90-93 (ISSN 1038-846X)
“Profiles in Print: Olga Sankey”, Craft Arts International, No 77, 2009, pp.47-51 (ISSN 1038-846X)
“Uncertainty as a creative force in visual art” in Gabriele Bammer and Michael Smithson (eds.), Uncertainty and risk: Multidisciplinary perspectives, Earthscan, London, 2008, pp.115-125 [ISBN: 978-1-84407-474-7]
“A New History of Australian Art: Dialectic between Indigenous and Non-Indigenous Art”, International Journal of the Humanities, Volume 6, Issue 7 (2008), pp.97-104 (fully refereed)
David Larwill and the Western Desert artists, (catalogue essay) Stephan Weiss Studio, New York, 2008 pp.5-37
“Eastern Christian iconographic and architectural traditions”, in K. Parry (ed.), Blackwell companion to Eastern Christianity, Oxford, Blackwell Publishing, 2007, pp.368-387 (ISBN 978-0-631-23423-4)
“John Brack and the cerebral portrait” in Andrew Sayers (ed.), Portraits by John Brack, Canberra, National Portrait Gallery, 2007, pp.2 – 15 (ISBN 978-0-9775761-1-1)
“Bars’kyj and the Orthodox community”, in Michael Angold (ed.), The Cambridge History of Christianity: Eastern Christianity, Cambridge, Cambridge University Press, 2006, pp.210-228 [ISBN 13 978-0-521-81113-2]
“André Giroux and the nineteenth-century landscape vision”, monographic essay in André Giroux, Wertheimer Foundation, London 2004, pp. 25-63 (ISBN 1 87478095 1)
“Tiller and Riley at the National Gallery”, Art and Australia, vol 44 No 2 (2006), p168-71 (ISSN 0004 301 X)
“After the Cultural Revolution: Contemporary art in Shanghai”, Art and Australia, vol 44 No 2 (2006), p178-81 (ISSN 0004 301 X)
“Mother of God of Tikhvine”, in Richard Temple (ed.), Masterpieces of Early Christian Art and Icons, London, Temple Gallery 2005, pp. 68-71
“Bill Viola in conversation”, Art and Australia, (2005) vol 43/2, pp. 262-67 (ISSN 0004-301 X)
“The original print in the age of digital reproductions” in Contrasts within the Charles Sturt University Art Collection, Wagga Wagga Regional Art Gallery, 2005, pp.41-49 (ISBN 1864671637)
Martin Coyte: Uplifted horizons, catalogue essay, Bathurst Regional Gallery, Bathurst 2005 pp. 5-19 (ISBN: 0 947301 53 4)
“Profiles in print: Martin King”, Craft arts International, No 64, 2005, pp.58-60
“Megalo at 25”, catalogue essay published in 25 x 25 Celebrating 25 years of Printmaking Megalo Access Arts 1980-2005, Canberra 2005, 4pp.
“Profiles in print: Stephen Spurrier”, Craft arts International, No 65, 2005, pp.80-82
“The lithographs of Elwyn Lynn”, catalogue essay in Elwyn Lynn: Works on Paper, Charles Sturt University, Wagga Wagga 2004, pp. 32- 37 (ISBN 186467153X)
“Decadence and desire”, Australian Art Review, no 5 (2004), pp. 62-65
“The Australian Print Workshop and Australian printmaking”, chapter in Roger Butler and Anne Virgo (eds.), Place Made: Australian Print Workshop, National Gallery of Australia, Canberra 2004, pp. 28-45 (ISBN 0 642 54155 8)
“The Australian National University Art Collection: An overview”, in ANU Art Collection: Acquisitions from the past ten years, Drill Hall Gallery, ANU, Canberra 2004, pp. 17-41 (ISBN 0 9581 560 0 X)
“Wendy Teakel and the rural vision in Australian sculpture”, Craft Arts International, vol 60, number 3 (2004), pp. 18-23
“A collection of masterpieces” in Pauline Green (ed.), Building the collection, National Gallery of Australia, Canberra 2003, pp. 210-33 (ISBN 0 642 54202 3)
“The iconography of Leonard Brown’s abstract paintings”, Up and down backwards and forwards, Charles Nodrum Gallery, Melbourne 2003, pp.5-15 catalogue essay (ISBN 0 9750623 0 1)
“The etchings of Graham Fransella” in Graham Fransella – eau forte, Stonington Stables Museum of Art, Deakin University, Melbourne 2003, pp. 4-17 catalogue essay (ISBN 0 7300 2576 4)
“Art of conscience”, Australian Art Review, no 3 (2003/04), pp. 47-49
“Roger Kemp/Godfrey Miller” in Barry Pearce (ed.). Parallel Visions: Works form the Australian Collection. Art Gallery of New South Wales, Sydney 2002, pp. 104-115 (ISBN 0 7347 6328 X)
“Bars’kyj on Cyprus: New material”, Third International Congress of Cypriot Studies, (in Greek) vol 3, Nicosia 2001, pp. 141-148 (ISBN 9963-557-18-X)
“Helen Geier: Chance and other games”, Art and Australia, vol 39/No 2, 2001, pp. 268- 275 (ISSN 0004-301 X)
Book review : ‘Evgeny Steiner, Stories for Little Comrades: Revolutionary artists and the making of early Soviet Children’s books’, in Print Quarterly, (London) XVIII, 2001/2, pp233-34
Kándl miroitement, Atelier 80, Paris 2000, chapter “Lukás Kándl, un surréaliste tchèque en France” pp. 72 – 93 (no ISBN)
“The making and collecting of graphic arts in contemporary Australia”, Grapheion: European review of modern prints, book and paper art, vol 15-16 3/4 2000, pp. 64-79, (ISSN 1211-6904)
‘Dianne Fogwell: A printmaker on the boundaries of art’ and ‘Dreams and swords: The artists books of Dianne Fogwell’, catalogue essays in Dianne Fogwell: Collected works 1979-2001, Canberra 2001, pp. 20-27, (ISBN 0 9579133 0 3)
Australian Painters of the Twentieth Century, Lou Klepac (ed.), Beagle Press, Sydney 2000, chapters on John Brack pp. 160-171; Fred Williams pp. 184-195 (ISBN 0 947349 30 8)
Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, chapters on Arthur Boyd, John Firth-Smith, Rosalie Gascoigne, George Gittoes, Colin Lanceley, Bruno Leti, Bea Maddock, Allan Mitelman, David Rankin, Jan Senbergs, Garry Shead, Andrew Sibley, Sally Smart and John Wolseley (four pages on each) (ISBN 90 5703 252 X)
“David Hockney’s A bigger Grand Canyon”, Art and Australia, vol 37/No 3, 2000, pp. 380- 387 (ISSN 0004-301 X)
“The culture of scandals in Australian art”, Art and Australia, vol 37/No 3, 2000, pp. 406- 413 (ISSN 0004-301 X)
“A luminous continent”, catalogue essay in Bruno Leti: The Children’s Court Paintings, Melbourne, Magistrates’ Court of Victoria, Melbourne, 2000, pp13-22 (ISBN 073115276X)
“Realism, caricature and phrenology: Early colonial depictions of the indigenous peoples of Australia”, in The world upside down: Australia 1788-1930, National Library of Australia, Canberra 2000, pp13-19 (ISBN 0 642 10713 0)
Australian Identities in Printmaking, catalogue, Wagga Wagga Regional Art Gallery, Wagga Wagga Regional Art Gallery 2000, 94 pp. (ISBN 1875247157)
“Chandler Coventry: A beautiful obsession”, Art and Australia, vol 37 No 2, 1999, pp. 262- 269 (ISSN 0004-301 X)
Helen Geier: Different fields of vision, Lasalle-SIA, Singapore 1999, 60 pp. (ISBN 0 646 37871 6)
Petr Herel, Pismo Duse :A retrospective, monographic catalogue, ANU Drill Hall Gallery, Canberra 1999, 64 pp. (ISBN 0 7315 2827 1)
“Classic Cézanne: A struggle between cerebral ordering and sensuous instinct”, Art and Australia, vol 36/No 4, 1999, pp. 478-480 (ISSN 0004-301 X)
"The Journeys of John Wolseley", Art and Australia, vol 36, No 1, 1998 pp. 68-75 (ISSN 0004-301 X)
"Autumn in the Garden of Eden: Leonard French and the 'Genesis' series", in Australian Art 1850-1965: Brought to light, Queensland Art Gallery, South Brisbane 1998 pp. 276-279
"Rex Nan Kivell and his collection", in Paradise Possessed: The Rex Nan Kivell Collection, National Library of Australia, Canberra 1998, pp. 1-6 (ISBN 0 642 10698 3)
"Bruno Leti and the 'Hortus Conclusus'", Art and Australia, vol 35, No 4, 1998, pp. 530-536 (ISSN 0004-301 X)
"Art into landscapes: New Australian images through British eyes", Humanities Research, Winter 1997, pp. 46-58 (ISSN 1440-0669)
"Lukas Kándl: A Czech Surrealist in France" in Lukas Kándl: Recent paintings, ANU Drill Hall Gallery, Canberra 1997, pp. 5-28 (with French translation) - catalogue essay (ISBN 07315 2822 0)
"David Blackburn and the Australian Landscape", catalogue essay, 34 pp. ANU Drill Hall Gallery, Canberra 1997 (ISBN 0-7315-2876-X)
"John Wolseley: Journeys in the Antipodes", catalogue essay, 30 pp. ANU Drill Hall Gallery, Canberra 1997 (ISBN 0-7315-2877-8)
"Mary Husted: Palimpsest and Landscapes", catalogue essay, 28 pp. ANU Drill Hall Gallery, Canberra 1997 (ISBN 0-7315-2878-6)
"Early Christian and Byzantine art: Monumental Painting and Mosaic c 843- c1204", The Dictionary of Art, Grove, London 1996 vol 6 pp. 575-582
First Canberra Drawing Biennale, ANU Drill Hall Gallery, Canberra 1996, pp. 5-10 (co-author) 20, 22, 24, 26, 28 30, catalogue essays
"Bars'kyj's account of the monasteries of Cyprus: A Ukrainian pilgrim in early eighteenth-century Cyprus", Modern Greek Studies Yearbook, vol x/xi (1994/95) pp. 19-35 University of Minnesota
"Vasyl' Hryhorovyc Bars'kyj: An Eighteenth-Century Ukrainian Pilgrim in Italy", Harvard Ukrainian Studies, vol xvii/1-2 (1993) pp. 7-26 Harvard University
ANU Art Collection: Fiftieth Anniversary Touring Exhibition, ANU Drill Hall Gallery, Canberra 1996, pp. 15-33, catalogue essay
Robin Wallace-Crabbe and the Art of Visual Intelligence, ANU Drill Hall Gallery, Canberra 1996, pp. 5-22, catalogue essay
AMCOR Paper Awards: An exhibition of works of art on paper and with paper by nine invited artists, Westpac Gallery, Victorian Arts Centre, Melbourne 1995 catalogue essay pp. 7-75
George Foxhill: An obsessive vision. Paintings, drawings, sculptures: 1980-95, ANU Drill Hall Gallery, Canberra 1995, catalogue essay 44 pp.
Udo Sellbach: And still I see it, ANU Drill Hall Gallery, Canberra 1995, catalogue essay, pp. 13-34
Les Kossatz: Relics, Parkhouse Publishing, Sydney 1995, catalogue essay, pp. 1-13
"Australia's cultural heritage: The visual record" in John Thompson ed. The People's Treasure, National Library of Australia, 1993 pp. 36-45
Wendy Stavrianos: Mantles of Darkness, Castlemaine Art Gallery, 1993, catalogue essay, pp. 4-8
“S.T. Gill: defining a landscape”, Voices, (National Library of Australia) II/4 Summer 1992-93, pp. 5-19.
Andrew Sibley: Survey 1970-1992, Irving Galleries, Sydney, 1992, 8 pp.
"The question of the 'Stroganov style' in Russian icon-painting", Australian Slavonic and East European Studies, 5,2 (1991), pp. 43-51.
Jean-Edouard Augsburger, Canberra, 1991, (catalogue essay), 10pp.
Andrew Sibley: Drawings, Melbourne, 1991, (catalogue essay), 20pp.
"Jean-Edouard Augsburger and the dimensional print", in Jean-Pierre Brossard ed., Jean-Edouard Augsburger: Graveur, La Chaux-de-Fonds, Switzerland, 1991, pp. 111-135 (with French and Japanese translations).
Jan Brown: Canberra's first sculptor, Canberra, 1991, (catalogue essay), 16 pp.
John Brack in the Australian National Gallery, Australian National Gallery, 1990, (catalogue essay) 8 pp.
"Figurations", Unreal city, 1:3, (Canberra) 1990, pp. 35-40
"Byzantine iconographic programmes in Cappadocia: The Church of St Barbara in Soganli dere", Phronema, 4, 1989, pp. 45-51
"The Church of Yusuf Koç near Göreme village in Cappadocia", Mediterranean Archaeology, 3, 1990, pp. 39-45, plates 20-23.
David Blackburn: A Vision of landscape, Uppingham, Rutland, 1989, (catalogue essay) 12 pp.
"Constantinople and Cappadocia in the eleventh century: Center and periphery", in Irving Lavin ed., World Art: Themes of unity in diversity, Pennsylvania State University Press, vol. I, 1989, pp. 81-86
"Vasyljiy Bars'kyj and the xozdenija tradition", Australian Slavonic and East European Studies Journal, vol.II:2, 1988, pp. 29-42
The Michael Edgley Collection of Art, Brisbane, 1987, (catalogue essay) 14 pp.
"The Cretan tradition of icon painting", Craft Arts, 6, 1986, pp. 55-61
George Foxhill: Paintings and drawings 1976-1986, Canberra, 1986, (catalogue essay) 44 pp.
"The Aght'amar wall paintings: Some new observations", Parergon, n.s. 3, 1985, pp. 39-51, 8 plates
"Icon inscriptions as a source for the history of early Russian mediaeval art", Melbourne Slavonic Studies, vol. XVII, 1983 (1984), pp. 57-78
"An Australian painter in Rome: Justin O'Brien", Art and Australia, vol. XXI, 1984, pp. 492-496
"Fred Williams and Australia's landscape", Hemisphere, vol.26:6, Melbourne, 1982, pp. 370-374
"European Art before 1850", in J. Mollison (ed.), The Australian National Gallery: An Introduction, Thames and Hudson, London, 1982, pp. 35-47
"Literary evidence for the dating of the Bachkovo ossuary frescoes", Byzantine Papers, Canberra, 1981, pp. 90-101
The Sydney alternative, The Boxer Collection: The Sydney alternative, Canberra, 1981, (catalogue essay)pp. 3-8
John Brack retrospective: Paintings and drawings 1945-1977, ANU, 1977, (catalogue essay) 14 pp., 68 plates
"Russian icon of the Virgin as the Source in a Melbourne collection", Russian Contributions, vol.1, 1976, pp. 43-58
"The Stroganov icons: A Study in late sixteenth century Russian patronage", NZ Slavonic Journal, vol.12, 1973, pp. 180-270
Lyrical digressions from Biblical themes: Graphic work of Vadim Sidur, Melbourne University, 1971, (catalogue essay) 4 pp.
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