Australian Art: A history, Melbourne, Miegunyah Press, Melbourne University Publishing, 2015, 572pp (paperback ISBN 9780522869361)
John Wolseley: Land Marks III, Melbourne, Thames and Hudson, 2015, 272pp (ISBN 978 05005000597 050 7)
S.T. Gill and his audiences, Canberra, National Library of Australia and State Library Victoria, 2015, 255pp. (ISBN: 978 064227 873 9)
The Art of Inge King: Sculptor, Melbourne, Macmillan Art Publishing, 2014, 391pp (ISBN 978-1-922-25200-5)
Australian Art: A history, Melbourne, Miegunyah Press, Melbourne University Publishing, 2013, 572pp (ISBN978-0-522-85652-1)
The Art of Jock Clutterbuck, Melbourne, Australian Galleries/ Macmillan Australia, 2013, 192pp (ISBN 978-1-921394-76-8)
Accounting for taste: The Lowensteins Arts Management Collection, Melbourne, Macmillan Australia, 2013, 288pp (ISBN 978-1-921394-80-5)
Wentja Morgan Napaltjarri: The power of tradition/La puissance de la tradition, Paris, Arts d’Australie, 2013, 43pp., (ISBN 978-2-9544576-1-1)
Bruno Leti: Portrait of a printmaker, Melbourne, Macmillan Australia, 2011, 192pp (ISBN 978-1-921394-71-3)
Garry Shead: The apotheosis of Ern Malley, Sydney, Voigt Drury Publishing, 2008, 144pp [ISBN 9780958975957]
John Wolseley: Landmarks II, Melbourne, Craftsman House/Thames and Hudson, 2006, 208pp., (ISBN 0 9757684 6 8)
The art of Grahame King, (monographic essay), Melbourne, Macmillan Art Publishing, 2005, pp. 14-57 (ISBN 1-876832-59-2)
Bruno Leti: Six memos on the art of Bruno Leti, Sydney, The Beagle Press, 2002, 184 pp., (ISBN 0 947349 37 5)
Garry Shead and the erotic Muse, Sydney, Craftsman House, 2001, 202 pp. (ISBN 1 877004 01 4)
John Wolseley: Land Marks, Sydney, Craftsman House, 1998, 176 pp. (ISBN 90 5703 40 18)
The Australian National University Art Collection: Selected Works, Canberra, Australian National University, 1998 (Co-editor with Myra McIntyre) 208 pp. (ISBN 0 7315 2788 7)
Australian Printmaking in the 1990s: Artist printmakers 1990-95, Sydney, Craftsman House, 1997, 336 pp. (ISBN 90 5703 39 17)
Garry Shead: Encounters with Royalty, Sydney, Craftsman House, 1997, 108 pp., ISBN 90 5703 72 11
A Pilgrim's Account of Cyprus: Bars'kyj's Travels in Cyprus, essay, translation and commentaries by Alexander D. Grishin, published in the series New York, 'Sources for the History of Cyprus', 1996 114 pp. & 18 plates (ISBN 0-9651704-3-8)
Leonard French, Sydney, Craftsman House, 1995, 168 pp. (ISBN 976 8097 91 4)
Contemporary Australian Printmaking: An interpretative history, Sydney, Craftsman House, 1994, 192pp. (ISBN 976 8097 76 0)
David Blackburn and the Visionary Landscape Tradition, London, Hart, 1994, 120 pp. (ISBN 0 9520759 3 8)
Bruno Leti's Monotypes, Melbourne, Transart, 1994, 69 pp. (ISBN 0 646 1864 0)
Andrew Sibley; Art on the fringe of being, Sydney, Craftsman House, 1993, 160 pp. (ISBN 976 8097 426)
S.T. Gill: Dr Doyle's Sketches in Australia, Sydney, Mitchell Library/Centaur Press, 1993, 130 pp. (ISBN 0 730 589 129)
Garry Shead: The D.H. Lawrence paintings, Basel, Gordon and Breach Arts International, 1993 120pp. (ISBN 976 8097 80 9)
The Art of John Brack, Melbourne/Oxford, Oxford University Press, 1990, 2 vols - vol.1 monograph 247 pp.; vol.2 catalogue raisonné 272 pp. (ISBN 0 19 553092 6)
Genesis: The Seven Days of Creation by Leonard French, Melbourne, Heidelberg Publishing Company, 1981, large format portfolio with 7 pp. introduction, catalogue and 7 plates.
Vadim Sidur: A study in modern Soviet sculpture, Adelaide, School of Russian Language, 1972, 114 pp. (ISBN 0 9598990 0 6)
